自然景观与色彩组合在写意油画中的再现

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Abstract:Asaunique typeof painting thatcombines theessenceofChinese and Westemart,realisticoil painting notonly pursues the morphological characteristics of objective objects,but also emphasizes the spiritual conveyance of subjective emotions intheexpresionof naturallandscapes.Thecomplex lightandshadowchangesandcolorlayersofnaturallandscape provideartists withrichcreative materials,but howtobreak through theboundariesofrealism inthemediumofoilpainting, andrealizetheartistictransformationof“likenessandunlikenessthroughthcombinationofcolors,isstilltecorechllege increativepractice.Inthecontemporaryartcontext,therealisticapproachofmechanicalreproductionhasgraduallgiven way to personalizedexpresion,whilethebalance betweenthesubjectivereconstructionofcolorandthetransformationofnatural landscape imagery has not yet formed asystematic theory.Therefore,this paper discuses the mechanismof color reproduction ofnaturallandscapeinpictorialoil painting,hoping toreveal theroleofcolorcombinationinconnectingobjectivenature and subjectiveemotion,andtoprovidetheoreticaleferenceandpracticalinspirationforthecontemporarydevelopmentofpictorial oil painting.
Keywords: Natural Landscape; Color Combination; Pictorial Oil Painting; Reproduction; Artistic Expression
0 引言
写意油画自20世纪中西艺术交融中萌芽,既保有西方油画的材料特性,又继承了中国传统绘画的写意精神。(剩余6611字)