敦煌壁画色彩在山水创作中的表现研究

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Research on the Representation of Dunhuang Mural Colors in Landscape Painting Creation

/YangHuaijie/ChineseNationalAcademy ofArts

Abstract：This articleaims to explore the unique aesthetic valueof thecolor systemofDunhuang muralsand the practical explorationofcolorinlandsapecreation.Fromthecolorappearancepresentedidiferentperiods tothepracticalapplication inlandscapecreation，itexplainstheintertextualelationshipofDunuangcolorintraditional Chinesepainting.Byaalying the aestheticcharacteristicsofDunhuang muralcolorandcombiningtheculturalconnotationof thetimes，thepaperintroduces thetraditional gren landscape and modern landscape art practicecases，and explains thenew visual tension，spiitualdepth， and contemporary atmosphere of Dunhuang mural color in landscape creation.The color of Dunhuang murals is based on contemporarycultureandcontrasted withthecolorofChineseclassicaltraditionalpainting，which pointsoutthesignificanceof the transformation of Dunhuang color resources into the creative energy of contemporary landscape painting.

KeyWords：DunhuangMural;Color System;LandscapePaintingCreatior

1敦煌壁画概述及色彩美学特征

1.1背景概述

敦煌壁画，特指中国敦煌石窟内壁的绘画艺术作品，包括敦煌莫高窟、西千佛洞、安西榆林窟等522个石窟的历代壁画，壁画总面积达5万多平方米，规模宏大，数量众多，内容丰富，属于世界文化遗产。（剩余5072字）