东方美学下传统色彩与十二季型人服饰的平衡适配研究

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Abstract：Oriental aesthetics，with "theunityof manand nature"and "the beautyof neutralization"as itscore，emphasizes the harmonious coexistenceof manand nature，formandconnotation.Fromthe perspetiveofOrientalaesthetics，this paper explores the balanced adaptation mechanism between traditional Chinese colorsand the clothing of twelve seasonaltypes.By analyzingthephysicalcharacterstics（skincolor，aircolor）oftefourmajorseasonaltypes（spring，summer，utu，winter） andtheir twelvesubtypes，92traditionalcolorsareselectedtobuildanexclusivesystem.Thebalancelogicisexplained from thethreedimensionsof"color-umanbodycontext"，andteadaptationefectisverifiedwithmatchingcases.Itisfoundatthe adaptationbetween the"image-based naming"of traditional colors，the"combinationoflightanddark"matchingrulesand the characteristicsofthetwelveseasonaltypesisexactlythecontemporarypracticeoftheOrientalaestheticconceptof"theunityof man and clothing"， which injects cultural vitality into modern clothing design.

Keywords： Oriental Aesthetics;Traditional Colors;Twelve Seasonal Types;Clothing Matching;BalancedAdaptation

0 引言

中国传统色彩体系是东方美学的重要载体：从《周礼》“以五方之色辨天地四方”的宇宙观，到《考工记》“青与白相次也，赤与黑相次也”的配色法则，其内核始终围绕“取法自然、中和为美”。（剩余6340字）