双重戏仿：韩国386世代导演的叙事策略研究

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中图分类号：J952文献标识码：A

文章编号：2096-4110（2025）12（c）-0062-05

Double Parodies： A Study on the Narrative Strategies of Korean Directors of the 386 Generation

ZHANG Yuqi

（Facuity ofSocial Sciences，TheUniversityofHongKong，HongKong，999O77，China）

Abstract： Korean 386 generation directorsareageneration that grew upduringthe democratization processTheir worksare centeredndeconstructingandreconstructingtraditional narativeconventions toformauniqueParodystyle.Thispaperfocuseson thenaativesaegsoft8easingGee'sssicatologsosdigtoloinngiteetiol originsandcomparingthemtoLinda Hutcheon'spoeticsofposmodeism，toexplorethexpresionofpostmoderityintheirfil narratives.Thesudfocusesonthegroup'suseofinnovationsinnarativefotoquestionthetruthofhistoryparodyof gesand self-referentiaityofnarrtiveechansms，revealingtheniquepathndfrutfulachievementsofthe86generationdiretors vativenarrativemetods.Tisresearchhasshownthattheiovationofnarativemethodsof386enerationdirectorsisssetialy thelocalizationofpostmoderityinanon-Westecontext：theirnarativestrategyistheresultoftecombinedfectofhstorical， politicalandculturalcontexts.hisnarrtiveinnovationnotonlyreshapestheastheticparadigmofKoreanfimnarrtive，butalso provides new ideas for the study of generations in other cultures.

Key Words： 386 generation directors; Korean films; Narratology; Parodies; Generations; Postmodernity

386世代导演作为当今世界电影的重要力量，从20世纪90年代步人影坛开始，就保持着旺盛的生命力。（剩余6313字）