抗战时期桂林木刻艺术的发展研究

中图分类号：J217；K265 文献标识码：A 文章编号：2096-4110（2025）12（c）-0001-05

A Study on the Development of Woodcut Art in Guilin During the Chinese People's War of Resistance Against Japanese Aggression

LEI Yunfei， WEI Qiujie （Hechi University，Yizhou Guangxi， 54630O，China）

Abstract： During theChinesePeople'sWarofResistanceAgainst JapaneseAgresion，when materialresources were scarceand peopleendurdhardships，GuilinemergedaaculturalhubduetoitsuniquegeographicalpositionandpoliticalenvironmentStrategically，umerouswoodcutartistsconvergedhere，formingareativecollectiveenteredaroundthe"GuilinBranchoftheChinese National WoodutAsociationforResistance Against theEnemy".ThisstudyexaminesGuilin'swoodcutartduringthe WarofResistanceAgainstJapanseAggresionthoughistocalcodsandatokanalysis，acingitsdevelopentaltrajectoryetfis erafocusedonthemesof nationalsalvationthroughresistance，depicting people'ssufering，promotingthespritofresistance，and showcasingmilitary-civilianresistance.Formaly，itbrokefromtraditionbyblending Westernprintmakingtechniqueswithethnic artisticelements，reatingaonciseandimpacfulstylethatwasasytodseinate.Throughhaelslikenewspapers，ehbiios， andstreetposters，itcieveddeeppublicngagement，bcomingacrucialculturalweaponformobilizingthemaesandcosolidat ing forces of the War of Resistance.

KeyWords：The Warof Resistance Against JapaneseAggression; Guilin; Woodcutart; Development; Stages; Influen

抗战前的桂林只是一个以山水闻名的小城市，抗日战争爆发后，桂林因特殊地理位置等因素，形成了有一定包容度的文化氛围，促进了文化艺术活动的蓬勃兴起，一度被誉为“文化城”。（剩余7271字）