多维视角下云南省话剧院“话剧民族化”创作现象与演出模式研究

中图分类号：J824 文献标识码：A 文章编号：2095-6916（2025）18-0036-04

On the Creation Phenomenon and Performance Model of “Nationalization of Drama” Creation in Yunnan Provincial Theatre from a Multi-Dimensional Perspective

Li Pei

（Yunnan ArtsUniversity，Kunming 650500）

Abstract：TakingYunanProvincialTheatreasacasestudy，thispaperemploysaninterdisciplinaryapproachcombiningdrama anthropology，culturalcommunicationstudies，andarteconomicstosystematicallyanalyzetheinterallogicofthephenomenonof nationalzatioofdamacreatioandteiovativepathwasofperfoancemodels.Itisfoundtatitseatiofcesalisticdificultis suchasinsufienttransfationofetnccultualresouces，inadequateitegrationfmodetheatricallangugeandanipefect marketommuicationsystem.Therootcauseslieinthelackofaculturaldeconstructionmechanism，insufiientpolicycoodinatin effectiveness，ndabrokencommercialcosystemchainByintroducingconstructivistsmiotics，NewPublicanagementthoryand industrialchainthorytispaperconstructsatreeinoeiovatiepathayintegatigthe“decodingofculturalgensecostruction oftheatricallanguageoptiizationofindustrialeoog.Combinedwithcutingdgepracticessuchasigialcolectionisive theatre，andIPderivativedevelopment，thisapproachprovidesasolutionforthenationalizationofdramainthenewerathatisboth theoretically innovative and practically valuable.

Keywords：YunnanProvincialTheatre；nationalizationofdrama;creationphenomenon；performancemodel;multi-dimensionalperspective

话剧民族化是中国戏剧现代化进程的核心命题，云南作为多民族文化富集区，其话剧实践为该命题提供了独特样本[1]。（剩余5298字）