敦煌莫高窟唐代彩塑造型与色彩的协同机制研究

打开文本图片集

A Study on the Synergistic Mechanism of Form and Color in Tang Dynasty Painted Sculptures of the Mogao Caves at Dunhuang

/Ling Zhixiang/China Academy of Art

Abstract：The Tang Dynasty painted sculptures in the Mogao Grotoes of Dunuang integrate three-dimensional forms with mineral-basedcolors，andtheirvisual expressivenesscannotbegraspedfromasingledimension.Taking thepaintedsculptures in typicalTang Dynastycaves ofthe Mogao Grotoes as theresearchobject，this papersystematicaly analyzes thesynergistic mechanismbetwen formandcolorfromfourdimensions：lightnesscontrastandvolume shaping，hue temperatureand spatial layering，saturationgradientandprimary-secondaryorder，andcolorhythmandformalcadence.Thestudyshowsthatcolorin these sculptures isnotanadditional decorationpost-sculpting，butastructuralelement deply integrated with volume，posture andspatiallayout.Together，formandcolorconstructacompletereligiousnarrativeandaestheticoderandtheirsyrgistic wisdom offers valuable references for contemporary public art and color design.

Keywords： Mogao Grotoes of Dunhuang;Tang Dynasty Painted Sculptures;Mineral Pigments;Formal Language

0 引言

敦煌莫高窟现存唐代彩塑数百尊，造像类型涵盖佛、菩萨、弟子、天王、力士等，在造型技艺与敷彩手法上均达到了高度成熟的水平。（剩余5174字）