滇中清代古建筑彩绘色彩与当代设计色彩的比较研究

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Comparative Study on Painted Colors of Qing Dynasty Ancient Architecturein Central Yunnan and Contemporary Design Colors

/ Huang Xiaotong/School of Design， Chongqing Open University（Chongqing Technologyand Busines Institute）

Abstract：The painted colors of Qing Dynastyancient architecture in central Yunnan are a visual carier integratinglocal ethnicculturesandtraditionalcoloraesthetics.Adhering totheorderlinessofChina’straditionalcolorsystemandincoporating multi-ethnicaesthetic tastes，their aplication features distinct contrast and harmonious unity.Asa core element of visual communication，contemporarydesigncolors prioritizediversifiedinovationand practicalityemphasizing integration with moderlife scenarios andadvanced technologies.Basedontheseancientpaintedcolors，this papercomparativelyanalyzes them againstcontemporarydesigncolorsfromthreeaspects：colorcompositioncarierelevance，andculturalconnotation.Itexploes theirsimilaisanddirenesvealstecontemporaryapplicationalueofacientarchiteturalpintedcolors，ndoides theoretical support for the inheritance and innovative application of traditional colors in contemporary design.

Keywords： Qing DynastyAncient Architecture;Painted Colors;Design Colors;Color Composition;Cultural Connotatior

0 引言

云南滇中地区是清代政治、经济、文化交流的中心，现保存完整的古建筑有文庙、会馆、寺观、民居等，其建筑彩绘色彩承载着丰富的历史信息与美学价值，它有别于中原官式的规整、庄重、威严和江南的古典、清新、雅致之风，兼具中原儒家礼制规范与滇中地区少数民族对色彩审美认知。（剩余6735字）