淡彩的诗意影像再造

——以江南诗性电影为例

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Abstract：RootedinChina'sink-washtradition，dancai（"lighttonedesthetics"）prioriiesvisualrestraint，emotioalsubtlety and poetic abstraction.Recent Jiangnanfilms like"Beyondthe Skies" "The Beginning"and"Qian Tang River" showcase young directorsreinventionofthisestheticindigitalcinema.Analyingimagelogic，spatialdesign，andsensorpoeticsthispaper reveals howdancaiisadaptedthroughchromaticminimalism，dalectsoundscapes，andcompositionaldiscipline.Thesestrategies reconfigure the"viewing-experiencing-dweling"nexus，forginganEastemcinematicpoeticsgrounded inregionalidentityTis framework proposes a culturally-specific modernity for Chinese film， countering Western-centric paradigms.

Keywords：Monochrome Subtlety;JiangnanPoetic Cinema;Ink-Wash Aesthetics;Chromatic Perception

0 引言

江南，湿润、斑驳，仿佛总笼罩在烟雨与水汽之中。（剩余5042字）