从“随类赋彩”到“以色达意” 写意花鸟画色彩功能的现代转型

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Abstract： Intraditional freehand flowerand birdpainting，"color with kind"has long dominated the practiceof color， emphasizingthesymbolicatachmentof inherentcolors toobjects，andthefunctionof"color"islimited tothetransmission ofstylizedmeanngs，anditisdifficulttoarryindividualemotionsadonceptualexpresions.However，thislogicofolor designisbrokenwiththediverseaestheticneedsofcontemporarytimes：ontheonehand，thesymbolismof traditionalcolorsis dificulttomeethecomplexsiritualdemandsofmoderlife;Ontheotherhand，thetendencyofiteratipaintingto"emphasize ink overcolor" weakened the expresive power ofcoloras an independent language.Based onthis，if we wantto explore the moderntransformationof thecolor functionoffreeandflowerandbird painting，weneed toconstruct thelogicstarting from thebreakthroughandreconstructionofthetraditionalcolordesignsysteminthecontextofcontemporaryart，activatethelocal estheticgene withthepathof "colorandink fusion"，andseekthe methodologywiththeasistanceofWesterncolortheoryand cross-mediathinking，soas topromotethetransformationof"color"infreehandflowerandbirdpainting from"objectvassal"to "emotional symbol".

Keywords： Freehand Flower and Bird Painting;Color Symbolization;Cross-Media Innovation

0 引言

众所周知，传统写意花鸟画中的“色彩”多依附于“随类赋彩”的物象再现原则，创作者往往固守传统设色逻辑，或者仅仅是通过借鉴民间艺术的用色风格等方法实现艺术语言的创新，从而导致写意花鸟画陷入审美与传播的双重困境。（剩余4587字）