符号学视角下的拉祜族葫芦纹样图像解析

中图分类号：G127;J524 文献标识码：A 文章编号：2095-6916（2025）16-0041-04

A Semiotic Analysis of Lahu Gourd Totem Imagery

Yan Yan Tao Zhou Wang Yuchun Lu Cong （Yunnan ArtsUniversity，Kunming ）

Abstract：Fromasmioticperspective，gourdpaternsvividlyreflctteichculuralhritageandemotionalatachmentofheLau people.IntheLahucreationepic Mupa Mipa，gourdsareimbuedwithlife-giving powerandserveasthecradleofhumanity.Thus，the gourdhasbecomeaspiritualtotemoftheLahupeople，andthissymbolsystematicallyshowcasestheirbeliefsandspiritualpursuits.The gourdtotemalsobearsmultiplefunctionseconomic，social，andcultural.Theseinterwovenfunctionsjointlyconstitutetheeseceand coreofLauculture.Thegourdtotemhasundergonevariationsandinovationsacrossdifrenthistoricalperiods.Eachvariationand innovation of the gourd totem servesas powerful proof that Lahu culture evolves with thetimes and rejuvenates itself.

Keywords：semiotics；the Lahu ethnic group;gourd totem has；cultural heritage；economic development

在符号学的视角下，所有设计作品均被视为一种符号，它们巧妙地融合了能指（即设计的外在表现形式）与所指（设计所传达的深层内容或意义）[1]因此，深入研究中华传统纹样时，可以巧妙地借鉴符号学的理论框架，来剖析这些传统纹样的深层含义。（剩余5610字）