钢琴演奏风格术语“staccato”的历史流变及当代教学语境下的释义

中图分类号：J624.1 DOI：10.12339/j. issn. 1673-8578.2025.05.034

The Historical Evolution and Contemporary Pedagogical Interpretation of the Piano Performance Term " Staccato"//ZHENG Na

Abstract：Thispapertakesthepianoperformance termstaccatoastheresearchobject，revealingitssemanticevolutionfromatechnicalsymboltoanartisticlanguagethroughadiachronicinvestigation.Thestudyfocusesonfourpivotalphases：thekeyboardtrasplantationofarlyviolinbowingtechniquesadthemetaphysical“sacreddetachment”inreligiousmusic;thefunctionaldiferentiation withinpolyphonicandhomophoiccontextsfromtheBaroquetoClasscalperiods;thesemanticfisionof“daggeraesthetic”and“acousticImpresionsm”duringtheRomantictoImpressioisteras;ndtetechnicaldisruptionsbyeconstructionismand Spectralism in modertimes.Contemporarypedagogymusttranscendthe“technical-centric”paradigm toestablishadual-trackmodelintegrating a“historical semanticdatabase”anda“stylisticcordinatesystem.”Byparameterizing keystrokedynamics，visualizingacoustic spectra，andonstructingatranscuturalstylisticcordinatesystem，thisapproach faclitatsaparadigmshiftinstacctotchique from“muscle memory”to“culturalconsciousness”，and providesinovativepathways forpedagogicalparadigms inmodernpianoeducation.

Keywords：pianoformacetolocatochestocalevoluti;eagicaltet;nteretatioica formation

0 引言

在钢琴演奏理论体系中，“staccato”是表现音乐风格、内涵的重要标记[1]。（剩余5003字）