在“出走的决心”之前出走

——《盛极一时的爱情》中女性形象的颠覆性表达

中图分类号：J905 文献标识码：A 文章编号：2095-6916（2025）10-0169-04

Rolling Away Before “Like A Rolling Stone"

-The Subversive Representation of the Female Image in Till Love Do Us Part Ma Shuang

（School of Journalism and Communication，Shanghai Jianqiao University，Shanghai 201306）

Abstract：InthemovieTillLoveDoUsPart，directedbyLiRan，afemaledirector’snarativeshowcasesfemaleselfawakening.It reflectsmodernChinesewomen'sdilemabetweentraditional genderrolesandpersonalfredom.Inthemovie，thedirectoraangesthe femaleprotagonst，ShuQiaoogbroad，heresheromanticallcoutersQiuFan，athaterartistlivingabrodTsetraaital encounterisdepictedasacatalystforherindividualawakeningQiuFanwithoutasteadylifestyle，adecentjob，orpowerandsocial capital，starklycontrastswiththestable，standardizedlifemodelofSuQiao’shusbandHuZhun，whoembodiespatriarchal capitalism.YetforShuQiaoQiuFanbecomesapassgetoanotherlife，whicheableshertoseeretlybreakthroughhercontradictions. TheireventualseparationredefinesintimacyItstepsoutoftetraditioalgndrelationshipativeframework．Whenfaitfultoa healthyand energeticrelationship，individualsfeel loyal tothemselves.

Keywords：female image;female movie；feminism;Chinesemovie

中国电影中女性形象的塑造在不同历史阶段呈现出不同特征，反映了社会文化观念的变迁。（剩余5608字）