莆仙戏“愧儡介”术语考释及文化意蕴探析

中图分类号：J825；H083 DOI:10.12339/j.issn.1673-8578.2025.06.036

Examination and Interpretation of the Term“Puppet Jie” in Puxian Opera and Exploration of Its Cultural Connotations//ZHENG Xiang,HUANG Youwang,MI Haoqi

Abstract:PuxianOpera,recognizedasthe“livingfosilofSouthemOperafromtheSongandYuandynasties,”featuresthecore term“puppetJie”initspefoancesytem,vingsdaictstamenttoteintegrationofcientatistictaditios.isper systemticallexaminestheetymologicalorigins,morphologicalcharacteristics,ndperformanceparadigmsof“puppet Jie”froma multidiensionalperspectie,hiledelvingintoitsichulturalcootatios.Ouresearchinicatestat“pupeJie”oiatedrom thecreativetransformationofpuppettheatertechniques intouxianOpera.Itsuniqueaestheticpursuitof“stringmanipulationsensation”and“puppetcharmbeauty”notonlyencapsulatesthehistoricalmemoryof teevolutionofoperaartbutalsoprofoundlyreflects thefolkbeliefin“diviuanconterament”inFujitedalticalseticiingof“puppetrascedce,”adt ternal vitality of opera art in its continuous self-renewal through imitation and reconstruction.

Keywords: Puxian Opera; puppet jie ;term examination and explanation; cultural connotations

0 引言

莆仙戏，这朵根植于福建莆田、仙游沃土的戏曲奇葩，以其对宋元南戏形态的顽强保存而享有“南戏遗响”“南戏活化石”等盛誉。（剩余3912字）