从留白到留青：留青竹刻与传统书画色彩美学的对话

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Abstract：The"blank-leaving"aesthetics intraditional Chinesepaintingandcalligraphy，astheessenceofEasternartistic philosophy，constructs aunique visual system through the interplay between voidand substance.Liuqing Bamboo Carving employs the green epidermis of bambooas its medium，formingamonochromatic aesthetic throughthe "color-reduction" technique.Thepreservationorremovalofbamboogreen incarvingembodiesthephilosophicalcontemplationof"utilityandnonutility."However，existingstudiespredominantlyfocusonfomalconectionsbetweenpainting/callgraphyandcarvingwhile neglectingtheirprofound dialogueinthedimensionofcolor.Thisstudyestablishesacolordialogue model betweenpainting/ calligraphyandbamboocarvingthrough empiricalresearch.Bydeconstructing thedifferences between the spatialnarrative strategyof"usinggrenaswhite"andtheparadigmof"treatingwhiteasblack"inink washpainting，itdemonstrateshowthe natural color-revealing process ofbambo’s lifecycle shapes thecologicalcolor philosophyof "harmonious collboration between nature and humanity" in green-keeping craftsmanship.

Keywords：Liuqing Bamboo Carving;Color-Reduction Aesthetics;Traditional Painting and Callgraphy;Color

0 引言

1留青竹刻概述

中国传统书画中的色彩美学，始终在“有”与“无”的辩证中构建着独特的视觉哲学。（剩余4589字）