五色观念下的汉代墓葬色彩实践

一一以洛阳卜千秋壁画墓为例

打开文本图片集

Abstract：As thecore theoryoftheancient Chinese color system，thefive-colorviewhas formed atrinity philosophical framework of"color-position-virtue"bytheHanDynasty.This paper takesthe muraltombinLuoyang（1stcenturyBC）as the researchobject，andreveals thedevelopmenttrajectoryandfunctionaltunofthetraditionalfive-colorviewintheHanDyasty byanalyzingthematerialcomposition，spatialconfigurationandsymboliclogicof temuralcolor.Tetombofthecolorpractice presented from"etiquetesymbol"to"construction"oftheuniverse，thefive-colorsystemthroughorientationorder，Yinand Yangandtranslationandnarrativetripledimension，ealizethephilosophytothecomplete transformationofthevisualsystem， marksthehandynastycolorsystemspecificationsublimationfromthehistoricalprocessofthecognitive toolsfortheuniverse.

KeyWords：TombArt;Mural;ColorAnalysis;Five-ColorConcept

五色观念作为中国古代色彩体系的核心范畴，其形成与发展深深植根于阴阳五行哲学与原始宗教思维之中，至汉代已形成完整的理论架构并渗透于社会生活的各个层面。（剩余4940字）