阶级隐喻的视觉化呈现：以电影《寄生虫》的色彩与空间运用为例

打开文本图片集

Abstract：This paper analyzes the KoreandirectorBong Joon-ho's film "Parasite"from theperspectiveof classmetaphor andtheuseofcolor.Combiningthevisual language，narrative structureand scene design inthefilm，thethesisexplors how itconveys themetaphoricaltensionof socialclassthroughcolorsymbols，spatiallayoutandcharacterrelationships.The essay furtheranalyzes theroleofdiferentcolors invisual aestheticsand narativelogic，revealing the fim's profoundcritiqueof capitalistsocialinequality.Thisstudyatemptstoshowhowtheinterweavingofcolorandclass metaphorsdrivestherichesof storylevels and the depthof thought through a multidimensional perspective.

KeyWords： "Parasite";ClassMetaphor;UseofColor;Visual Language

0 引言

韩国导演奉俊昊的电影《寄生虫》自2019年问世以来，不仅斩获第92届奥斯卡最佳影片、最佳国际影片、最佳导演、最佳原创剧本等奖项以及第72届戛纳电影节金棕榈大奖，[还在全球范围内掀起了对资本主义社会阶级差异的反思浪潮。（剩余5431字）