探寻哈恰图良三部器乐协奏曲中的民族性与色彩性
中图分类号：J614 文献标识码：A 文章编号:2096-4110(2025)07(a)-0011-06
Exploring the Ethnicity and Color in the Three Instrumental Concertos of Hachaturian
XIN Wei
(Harbin Conservatoryof Music,Harbin Heilongjiang,15oo28, China)
Abstract:AraIyichKatchturian(19978)stheinstrumentalconceros (ViolinConcertoPianooncerto,Cellot) areremarkableworksinhismusiccompositions.ThethreconcertosilustratedistinctArmeniannationalandfolkmusicelements, reflectingrichnationalcharacteristicsandtonalcolors.However,asoneoftheimportantfguresinthehistoryofSovietusic, comparedwithotherfamous Sovietcomposers,Khachaturian hasmuch fewerrelevantresourcesandarticlesonthenumberof performancesof his worksandthe number of academic papers.Inparticular,therehas not beenenough academicresearch with a certaindepthonteompositioalategiessuchasamoniccolorsanduseofnatioalism,ofhistreeistrumentalconcertos.his articleicludesexperimentofKhachaturian'sthreeinstrumentalconcertosastheresearchelementtofurteranalyzethenational characteristicsand tonalcolors inhismusic,which willpotentiallyhelpdeveloptheresearchof SovietandArmenianmusic.
Key Words: Khatchaturian; Nationalism; Harmonic color; Piano Concerto; Violin Concerto; Cell Concerto
自16世纪初意大利小提琴家、作曲家维瓦尔第开创了“协奏曲"这一器乐作品形式以来，协奏曲一直受到世界各地观众的喜爱与热捧，演奏家们也以能够演奏协奏曲为傲。（剩余9831字）