从泛戏剧视角看沉浸式剧本杀游戏的模仿与跨界
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中图分类号：G127文献标识码：A
文章编号：2096-4110（2025）04（a）-0076-05
Abstract： Immersive murder mystery gamehas developed from desktop games to experiential behavioral games.As aform of entertainmentgatheringsocialgame，ithasrisenamongyounggroupsandisavoredbythemarketWiththedevelopmentofxperience consciousnessanddigitaltechnology，itsinteractiveforandaestheticstandardsareconstantlyimprovingandthereationandinvestmentcostsofmanylargeimmersivemurder mysterygamesandimmersivetheaterarecomparable.Becauseithasmanysimilaritieswithtraditionaltheaterinformandoverlapswithpostdramatischestheaterinconcept，manyarguments inrecentyearsbelieve thatitisakindofimmersivetheater.Tispaperfocusesontheoriginofdramaandgameitself，triestoanalyzethedamaticcharacteristicsofimmersivemurdermysterygamefromtheperspectiveofdrama，anddisussesitssimilariesanddiferences wihdrama. Throughthecomparisonofimmersivemurdermysterygameandimmersivetheater，thispaperconsiders theprospectanddevelopment possibility of the integration of theatre and immersive entertainment industry in the digital media environment.
Key Words： Immersive murder mystery game; Game; Immersive theater; Imitation; Crossover; Postdramatisches theater
2016年，随着芒果TV综艺节目《明星大侦探》的热播和国内沉浸式产业兴起，“剧本杀”从围桌而谈的桌面游戏发展为体验式沉浸游戏，在国内年轻群体中大火。（剩余7658字）