从灵性崇拜到现实隐喻：诗歌“自然观”的美学分野

——以华兹华斯与龚自珍为例

中图分类号：G634.3 文献标识码：A 文章编号：2096-4110（2025）06（b）-0152-05

From Spiritual Worship to Realistic Metaphor： The Aesthetic Divide of the "Concept of Nature" in Poetry

—Taking Wordsworth and Gong Zizhen as Examples

HU Hanchuan， XU Yang （Schoolof International Studies，DalianUniversity，DalianLiaoning，，China）

Abstract：Thispaperaims toexplorethesimilaritiesanddiferencesofthenaturalviewsof theBritishpoetWilliam Wordsworth andtheChinesepoetGongZzhninthe8th-19thcenturies，aswellastheirsignificanceintherespectieeras troughcross-ulturalcomparsonBydoptingthetextnalysismethod，tispaperconductsanindepthinterpretationofthepoetryworksoftheo poets，andanalyzesthemfromthedimensionssuchasorevalueorientation，culturalcontext，andsocialrelations.Thestudyfinds thatbothof themusenatureasthecarierforexpressngemotionsandphilosophy.Wordsworthusesnaturetoresistthealienationof industrialcivilatiohileGongZnssaraliagstoeapoecialilsofoopcalfoudatioefo merintegratesreligiouspantheism，andthelatercombinesthTaoistcyclicideologyandtheConfucianspiritofactivelyegagngin society.However，Wordsworth'snatural viewtakes"returnandhealing"asthecore，fullof Westernromanticcolors，whileGong Zizhenpresents theorientalaestheticcharacteristicsof"contradictionandstrugle".Theresearchresultsshowthatthetwopoetsre flectonhumannatureandthetimes throughnature.Theirpoeticcreations notonlyhighlight theculturaldiferencesbetweenthEast and the West but also leave a precious spiritual heritage for future generations.

KeyWords：WiliamWordsworth;GongZizhen;Naturalview;Crossculturalcomparison;Industrialcivilization;Orientalae thetics;Romanticism; Spiritual heritage

18世纪的英国社会在工业时代中探索前路。（剩余7058字）