莫言与麦卡勒斯的比较研究

——以《枯河》与《伤心咖啡馆之歌》为中心

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中图分类号:1207.42;1712.074

文献标识码:A

文章编号::2096-4110(2025)06(b)-0006-05

A Comparative Study of Mo Yan and Carson McCullers

-CenteredonTheDryRiverand TheBalladoftheSadCafé

HAN Yue

(Xiangsihu College ofGuangxi Minzu University,Nanning Guangxi,53OoO6, China)

Abstract:MoYanonce stated that his works wereinfluencedbyCarson McCullers.JudgingfromThe Balldof theSad Caféand TheDryRiver,tereisacertainfuencereltioshipbetwnthetwoworksintesofgeograpicalspaceandvlence,gotesque consciousnessndusicalepressIntesfggraicalpace,TeryRiverasakergioalaraceristdse ofhistory,anditisless matureanTeBaldofteSdCfé.However,byrootingitselfinuralCinaheDryivefosa sharpcontrastbetweentheinfiniteextensionofmetaphors,thecontiuoussurgingofthesenseoflife,andteblodyandcueltruth ofdeath,presentingitsownuniquenes.Bothwritershaveachevedthesothingefectofemotionsthoughtheinterventionof music intheir works,leavingawarmundertoneforthegrotesquestories.MoYan,whiledrawinginspirationfromMcCulers,incopoated Chineseelementsand personal experience toproducelieraryworksthatarerich inaestheticidentityandChinesetemperament, completing the transformation of creative subjectivity.

Key Words: Mo Yan; Carson McCullrs; Comparative study; The Dry River; Geographical space; Grotesque consciousnes

1978年,《外国文艺》创刊号上刊登了李文俊先生翻译的麦卡勒斯《伤心咖啡馆之歌》,后这部小说被选入1979年上海译文出版社出版的《当代美国短篇小说集》。(剩余6624字)

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