极目长江：论傅抱石庐山山水画艺术与长江文化的关系

打开文本图片集

The Yangtze River in the Distance：On the Relationship Between Fu Baoshi' s Lushan Landscape Painting Art and Yangtze River Culture

Xie Jiusheng Xie Qingzhu

（School of Fine Arts，Jiangxi Normal University，Nanchang ）

Abstract：Asapainterfrom Jiangxi，FuBaoshi'sdepictionof Jiangxirelated painting subjects andthemescarres both externalconvenienceandinternalrecognition.InthecontextofYangtzeRivercultureFuBaoshi's Lushanlandscapepainting arthasbecomeanimportantcategoryinthe studyof YangtzeRiverpainting art.Moreover，FuBaoshibrokeawayfromtraditional spatialrepresentationsof Lushan landscape paintingsBydrawingonreal-lifescenes and sketches，hetransformed the perspective of viewing Lushan from theYangtze River，Poyang Lake，and other places inancient times （looking up or observingfromadistance）into theviewpoint of lookingdown from thepeakof Lushanand“viewing”theYangtze River and Poyang Lake.This spatialangle and expresson method closely connects Lushan withthe Yangtze Riverinthe artwork， whichis similarto the depiction methodsused in paintings like the“YangtzeRiver TenThousand Li”throughout history. Therefoe，Fu Baoshi's Lushan landscape paintingshold a prominent position inthe study ofYangtze River painting art.

Key words：Fu Baoshi；Lushan；Yangtze River Culture；Landscape Painting Art；Viewing the Yangtze River

傅抱石在庐山绘画艺术研究中有着十分重要的意义，作为江西籍画家在表现与江西相关的绘画题材与主题时更加具有外在便利性与内在认同感。（剩余6691字）