额济纳汉简书法鉴赏与创作的审美理路

摘 要：额济纳出土的简牍是两汉时期书法墨迹，是汉代书法“隶书草化”的缩影。额济纳汉简书法鉴赏与创作过程中可见“象、法”的书法形式要素以及以“媚美”为形式规定的法度特征与以“自由”为内容追求的书意特征，由此升华出从“书法意象”到“书法意境”的额济纳汉简审美理路。

关键词：额济纳汉简；两汉时期；书法美学；审美理路

Aesthetic Pathways in the Appreciation

and Creation of Ejina Han Bamboo Slips Calligraphy

Shangguan Wenjin1，2 Li Duwei3

（1.School of Chinese Language and Literature，Sichuan Normal University，Chengdu 610068;

2.Inner Mongolia Research Institute of National Culture and Arts，Hohhot 015008;

3.Changsha County Xingsha Middle School，Changsha 410199）

Abstract：The bamboo slips unearthed in Ejin Hara contain calligraphy from the Han Dynasty，epitomizing the “clerical script cursivization” of Han calligraphy.In the appreciation and creation of Ejin Hara Han bamboo slips calligraphy，one can observe the formal elements of calligraphy （“forms” and “rules”） and the characteristics of the “rule of grace，” as well as the “freedom” sought in the artistic conception of calligraphy.This process elevates the aesthetic pathway from “calligraphy imagery” to “calligraphy artistic conception” in the context of Ejin Hara Han bamboo slips.

Key words：Ejina Han bamboo slips;Han Dynasty;calligraphy aesthetics;aesthetic pathways

汉代以隶书为主要书体，从朝堂到地方官吏皆以隶书撰写文书。（剩余6036字）