“数字敦煌”多模态协同的国际传播范式研究

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【中图分类号】G206 【文献标识码】A 【文章编号】2095-7009（2025）06-0041-09

Abstract：Based onthe theoryof intersemioticcomplementarity，this researchexplores thecolaborativeoperationof multimodal symbols such as images，colors，videos and texts in“Digital Dunhuang”andits internationalcommunicationparadigm.“Digital Dunhuang”integrates visual，auditoryandtactile modalities through digital technologies including high definition imaging，three-dimensional reconstructionand virtual reality，whileproviding multilingualsupport in Chinese， English，French andJapanese to construct animmersive digitalcultural experience space.The developmentof multimodal collaborationnotonly deepens international audiences’perception and understanding of Dunhuang culture，but also expands culturalinterpretation through multilingualtranslation andcloud-game narratives，breaking communication barres andenhancing the globalinfluenceofDunhuangculture.Furthermore，theresearch indicates that the intersemiotic complementarity mechanism of“Digital Dunhuang”promotes the transformationof culturalheritagefrom static display to dynamic iteraction，ofering paradigmatic referenceand practicalinsights forthe international diseminationof Dunhuang culture in the context of digital humanities.

Keywords：“Digital Dunhuang”；Dunhuang culture；intersemioticcomplementarity；multimodal collaboration；international communication paradigm

语言作为“一切交流和一切文化依赖的媒介"[1]，为“数字敦煌"[2]多模态的协同应用提供了基础支持。（剩余14690字）