索尔·贝娄小说《赫索格》中的复调性

中图分类号：I106.4

文献标识码：A 文章编号：1671-9247（2024）06-0025-04

Abstract：TheAmerican literarycritic IvingHowedeclares that there isnotafullysatisfying denouement，anorganicfullmentoftheactioninthenovelsofSaulBelow，suchasHerzog.BasedonBakhtin’stheoryof tepolyphonicnovels，afteanalyzingthedetailsintenovel，thistesisputsforwardsthatIvingHowe'spointofviewisunilateal，ichhasignoredthepolonic artistic featuresofSaulBellow’snovels.Anopeninterpretationofthisnovel ircommended.Thepolyphonicfeaturesoftheentir novel，suchsoversaialaractesticsatialitychoicityenndsddingdteuceity incompletenessofthecharacterzationshouldbetakenintoconsiderationintheprocessofinterpretationoftisnovelinodeto beterunderstand thecharacteristicsofcomplexityambiguityand profundityof this noveland graspitsrichconnotation.

Keywords： Saul Bellow; Herzog;polyphonic features;carnivalizatior

欧文·豪（IrvingHowe）在评论索尔·贝娄的《赫索格》这部小说时，认为其结尾是败笔：“《赫索格》和贝娄的其他几部作品《奥吉·玛琪历险记》、《雨王汉德森》里都没有一个时间的节奏序列，小说没有一个有机的、行动得以完成的、令人满意的结尾。（剩余7287字）