辩证图像：诗意纪录片中的灵韵显现

——以《天地玄黄》为例

中图分类号：J952 文献标识码：A 文章编号：1671-9247（2024）06-0021-04

Abstract：WalterBenjaminhasarguedthat mechanicalreproductiondeprivesartworksof theirAura.However，inviewof the dramatic changeintestatus and popularityofimages，itis necessry tore-examiethisissue.Georges Didi-Hubermanadopts AuratheorytointerpretworksofartsuchasMinimalism，takingdoubledistanceanddoublevisionasthetwobasicconditionsforconstructingAura.ThefimBarakausesunfamiliarimages，fragmentaryeditingndweakenednarativetodistancetheimagesfrom theaudienceandcompletesthesubjectobjectransformationwithtehlpofgaze，whichsuccessfullyinducesteadience’sunconscious memoryTus，the worksregainitsimmediacyandoriginalityrevealingitsAura.Troughthisguidedmeditationtedirectortries toexplaintotheaudiencetheultimateof teuniverse.However，thecommodificationand Westeideologyhave diminished its Aura， forming a paradox of the image.

Keywords：Aura;Poeticdocumentaries;Dialectical image;Baraka

“灵韵”（Aura）①的概念最早由本雅明（WalterBenjamin）提出，并在其后续的研究中不断变化，但他大体认为机械复制会使灵韵消失不见。（剩余10470字）