红色档案艺术化叙事的理论逻辑和实践路向探讨

Abstract：China has achieved phased progress in constructing narrative frameworks and multi-format utization （e.g. publications，exhibitions，education，cultural products）for itsredarchivesresources.However，challengespersist， including insufficient systemic integrationof resourcesand limited development depth.This studyproposes artistic narrativeasacoreinnovativeapproach，underpinned byathree-dimensional theoretical framework integrating narratology，cultural memory theory，and semiotics.This framework achieves the dual objectives of historical authenticityand enhancedartiticimpact.Atthepractical level，itadvancestesystematicorganizationofarchival resources，strengthens digital preservation and multi-channel acquisition，and promotes cross-media narrative inovation.Exemplifiedbylive-action performances，this involves developingcultural tourismprojects through the integrationof literature，film，and immersive technologies，alongside launching distinctive culturalandcreative productsandfilmadaptations.Concurrentlyitestablishes inter-institutionalcollaborationnetworks（amongarchives， museums，memorial hals）and engages social forces incollaborativedevelopment.The research demonstrates that deepening artistic narrative through modern technology can refine archival narative theory and practice，deepen understanding ofred archives resources，activate their culturalvalue，andfaclitate high-quality narrative initiatives.

Keywords： Red archives;Archival narative;Artisticexpression;Technology empowerment： Creative design; Cultural branding：Art education;Artistic works

2021年，习近平总书记对档案工作做出重要指示，指出要将蕴含党的初心使命的红色档案保管好、利用好；2021年印发的《“十四五”全国档案事业发展规划》，明确将“深入挖掘红色档案资源”“传承红色基因”作为“十四五”期间档案工作的重要内容。（剩余8551字）