多元文化视野下20世纪30年代中越新诗互动

中图分类号：1207.25 文献标识码：A 文章编号：2096-4110（2025）07（b）-0146-05

Abstract：Inthe193Os，newpoetryinChinaandVietnamflourishedamidstthecollsionofWesternliterarytrendsandlocal culturalreforsresetingopletelyfntppeaacefrolsscaletryurigtisriodothoutriesptyply absorbeddiverseculturalnutrientsandformedunique modernpoetrystyles.ThisarticleanalyzeshowChineseandVietnamesepoetry integratestraditionalChineseculture，Westermodetought，andlocalculturalcharacteristicsfromamulticulturalperspectie vealingtheinteractionandinovationetweentetoountries‘poetryinthisstage.SpecificallyChnesepoetryotolyinr itstheartisticonceptionoflasicalpoetrybutalsodawsonWestersymbolismandromanticism.TheVietameseNewPoetrywas accompaniedbythepromotionofLatinized Vietnameselanguage，expressngnationalliberationdemandsthroughromanticismand symbolism.Bothcountries’poetrreflectsontheConfuciantradition.Inaddition，theintroductionof Westernreligiouscultureandindustrial civilizationwritingfurtherenrichedthemodernconotationofpoetry.Atthesametime，rural writinghasbecomeacommon focusofattntionforoetsfrombothcoutrs：Vietamesepoetrystrengthensnatioalaestheticsthroughregionallandscapes，hile Chinese poetry explores rural values through pastoral and social criticism.

KeyWords： ChineseandVietnamesenew poetry;The193Os; Traditional Chineseculture; Westernculture;Nationalcharacteristic culture; Cultural acceptance

20世纪30年代是世界文学格局变动的一个重要时期，中国与越南新诗在这一历史节点上呈现明显的现代转型。（剩余6237字）