论语文学视角下的文学批评

——以奥尔巴赫《摹仿论》为例

[关键词]语文学；奥尔巴赫；摹仿论；文学批评；人文学科[中图分类号］I06（5） [文献标识码] A [文章编号]1008-4648（2025）04-0080-09

Literary Criticism from the Perspective of Philology -TakingErich Auerbach'sMimesisasan Example

Zhao Gang， Zhang Yulong （The Open University of Shaanxi，Xi’an 710119）

Abstract： Philology is the comprehensive study of various languages and their classical texts. Originating in ancient Greece，it gradually developed intoa rigorousand meticulous quasi-scientific method in modern times， servingas thefoundation for allhumanities research.Romance philology focuses on the Romance language familyof Europe and its classical literature.Erich Auerbach was a preeminent scholar in Romance philology，and his work Mimesis ： The Representation of Reality in Western Literature is a significant literary criticism masterpiece.Centered on the theme of“the representation of reality”in literature，the book examines the classic works of European writersfrom Homerto Virginia Woolf.Thephilological criticism methods employed in it include：thestudyof theunique usage and etymology of the conjunction“Alor” in Dante’s Divine Comedy；the analysis of the parataxis structure in The Song of Roland;and the exploration of The Song of Rolandasa medieval epic.Its use of multilingualism，rigorous methodology，and comparative perspectivealloffer crucial insights forcontemporary literary criticism and research.Therefore，scholars in the humanities should return to philology：master multilingual skils，receive more philological training，become familiar with at least two literaryand cultural traditions，andadopt acomparative perspective.This may help them seek new breakthroughs in an era where humanities research is declining and AI is on the rise.

Keywords：Philology；Erich Auerbach；Mimesis；Literary Criticism；Humanities

语文学本是门庄严的技艺，它对追随者的首要要求，便是学会抽身驻足、留足时间、保持沉静、放慢节奏—它如同锤炼语言的“金匠工艺”与“鉴金之术”，满是精细审慎的活儿，若非“慢慢来”（lento），便一事无成。（剩余14477字）