三重空间、空间隐喻：国产公路电影《夜幕将至》中的空间叙事研究

关键词：《夜幕将至》；空间叙事；寻找；迷失；身份认同

中图分类号：J905文献标志码：A 文章编号：1673-4580（2025）03-0085-（08）

DOI：10.19717/j.cnki. jjus.2025.03.012

Triple Spaces and Spatial Metaphor ： AStudy of Spatial Narrative in the Chinese Road Movie As Night Falls

CHEN Qian （Schoolof Literature，Guizhou Normal University，Guiyang，Guizhou 55oo25，China）

Abstract：DirectorJian Haodong'sfilmNightFalscentersonthespiritual themesof "beinglost"and "seeking"．It offersanaesthetic interpretationof the"quest"motif throughatripartitenarrative structure encompassing regional space，social space，and spiritual space.By juxtaposing the manifest and hidden spaceswithin theregional landscape，thefilmreveals theroadspaceasametaphorical possbilityfor"seeking"．Furthermore，through constructing dual socialatmospheres of "alienation"and"warmth"within the road space，it exposes the protagonist's lossof identityand struggleforrecognitionwithin thesocial space.Consequently，theinterplayof regionaland social spaces drivestheconstructionof theprotagonist'sspiritual space，manifesting as thesubject's renewedsearch for "Dasein"（Being-in-the-world）amidst the predicament of lost identity.This deepens the spatial narrativeexpression of the"seeking"theme in Chinese road movies，achieving an effective fusionof narrativity and aesthetic quality.

Keywords：Night Falls；Spatial Narrative；Seeking；Being Lost；Identity

电影作为一门时空综合艺术，正如马塞尔·马尔丹所言：“电影是相当现实主义地重新创造真实的具体空间，此外它也创造了一种绝对独有的美学空间。（剩余10792字）