史传文本的“艺术化”

——以陶渊明“无弦琴”为例

打开文本图片集

关键词：史传文本；艺术化；陶渊明；无弦琴

中图分类号：I207.2 文献标志码：A 文章编号：1673-4580（2025）03-0016-（08）

DOI：10.19717/j.cnki.jjus.2025.03.003

The"Artistic Transformation” of Historical Texts -A Case Study of Tao Yuanming's "Stringless Qin"

TANG Yi

（School of Chinese Studies，Dalian Universityof Foreign Languages，Dalian，Liaoning 116044，China）

Abstract：Inthetextualera，writenlanguage，asalingusticsign，sharedtheexpressvefunctionofimagesDuringtheSogand Yuandynasties，withthefourisingofintingat，wordssuperimposedhstorical tacesandmergedintomagesNaatieinting， basedonthefaitfultranslationoflinguistictextsintovisualforms，reconstructedscenesdescribedinwritingthroughasystemof visualsymbols.Troughthisprocess，theearlyhistoricalnaativeofTaoYuanming'"stringlessQin"，originallyshapedand constructedthroughwritendiscourse，enteredtherealmofimages.Literaryimagerywasextemalizedandxtendedintopaintingart， leading toaninteractivepermeationbetweenhistoricaltextsandvisualrepresentationsConsequently，the"striglessQin"became solidified asa symbolic artistic motif.

Keywords：Historical texts；artistic transformation；Tao Yuanming；stringless Qin

作为源头的史书传记生动记述了“陶琴无弦”，从文本的具象内容来看，《宋书·隐逸传》首度记载了陶渊明与“无弦琴”，《陶渊明传》和《晋书·隐逸传》则进一步描述了陶渊明手抚“无弦琴”的场景，成为“无弦琴”图像的文本原型。（剩余9135字）