声以载文乐以明和：《文心雕龙》中的音乐美学思想探赜

中图分类号：I206.2 文献标识码：A 文章编号：1671-9247（2025）01-0047-04

Sound Bears Literary Essence， Harmony Embodied in Music： Probing into the Musical Aesthetics inTheLiteraryMind andthe CarvingofDragons

ZHANGQian1，LI Mufan23

（1.ConservatoryofMusic，AniProfessonalCollegeofArt，Hefei23，Anu，China;2.CollgeofCneseLnguageLieatureand Arts，XijiangAgricuturalUniversityUrumqi830o2，Xijiang，China;3.CollegeofLberalArts，XizangUivesity Lhasa 850000，Xizang， China）

Abstract： Centering onchapters such as“Yuandao”（The Origin of the Way），“Yuefu” （Music Bureau），and“Shenglu” （Euphony）fromTheLiteraryMindandtheCarvingofDragons，thisstudyexploresLiuXie'smusicalaestheticthought.Grouded in Confucians，LiuXipositsanitriscondetweenmusicandliteratre，asetigtatliterarybeautyieretlyeses musicality. “Yuandao”revealshis perceptionof music's“naturalness” and “harmony”；“Yuefu”reflects theaesthetic of“orthodox music as standard” and music'sdualrole in serving iterary expresion and moral education;“Shengl”elucidatesthepractical applicationof musical prosodyinliterarycreation.These three chaptersform aprogresive logical framework—“Natural Origin $$ Ritual Function $$ Spiritual Expression”-constructing a Confucian musical aesthetic system.

Key words： The Literary Mind and the Carving of Dragons;literaryspiri; musical thought; aesthetic philosophy

学界对中国经典文献的研究，随时间推移而愈发深入与多元。（剩余6841字）