饮食劳作中的动作美学、重复叙事及其权力结构

——葛亮《燕食记》中饮食书写的另一向度

[中图分类号]I207.4[文献标识码]A[文章编号]1671-8372（2025）02-0112-09

The aesthetics of movement，repetitive narration，and power structures in culinary labor an alternative dimension of food writing in GeLiang's Yan Shi Ji

Zhao Liu-kun

（Institute ofHumanities and Arts，ShandongUniversity，Qingdao ，China）

Abstract：Theprocessoffood preparationisofteneasilyaestheticized，overshadowingits inherent natureas“labor”. Whilethe fluent demonstrationofcookingskills showcases theaestheticsof movement，itsimultaneouslyobscures the physicalexertionandmentalfatigueexperiencedbythelaborers.InGeLiang'sYanShiJi，fodanditsassociatedlabor arecharacterizedbydistinctrepetitiveness.Within therepetitive textual structureand temporal framework，thefood producers inthenoveldevelopaformofrationalized“self-deprivation”throughthe interplayofrepetitivelaborand its intermittentvariations.Building uponthis，therepetitive laborsurrounding food intensifies the“deprivation”hierarchical relationship betweenthelower and upperclasses，and extends togenderand family dynamicsthrough theconnection betweenidentityandfood.Correspondingtoculinarylabor，theimitationofculinarytastesandtheidentityconstruction achievedthrough suchimitationreflect thehierarchical nature inherentinfoodconsumption.Furthermore，asacultural carrierfundamentalllinkedtoidentity，foodconsumptioncan，inspecifichistoricalperiods，catalyzeforcesofcultural and political identification.

Keywords：culinary labor;aesthetics of movement;repetitive narration；power structures;Yan Shi Ji

小说《燕食记》是葛亮近年出版的长篇小说，该小说自问世以来，先后获得第十一届茅盾文学奖提名、第十届红楼梦奖，在社会上产生了广泛的影响。（剩余14743字）