作为记忆之地的乡村：李睿珺导演电影中的空间书写

[中图分类号]J905[文献标识码]A[文章编号]1671-8372（2025）02-0093-07

The countryside as a site of memory：spatial writing in directorLi Ruijun's films

JIAJi-chuan，LIUyue

（College ofLiberalArts，NanjingNormal University，Nanjing21oo97，China）

Abstract：With the acceleration of China's modernization process，the relentless expansion of urban space in therealworldhas leftrural spaceinaprecariouscondition.Thefilmseriesbythenew-generation directorLiRuijun colectivelyconstructsaportraitofruraltransformationwithinmodernity’scontextLi'scinematicimager，exploations of traditional rural memory areconducted across three dimensions：physical space，imaginative space，and athird cinematicspace.Physicalspaceforegrounds theroleofintergenerationalsites （houses，land，graves）inthepreservationof individual memories.Imaginative space reveals anxieties ofrootlessessandthe quest foraspiritual homeland，exposing thepredicamentofafadingruralcivilization.Cinematicimagery，functioningasthethirdspace，achievesthepreservation of traditionalrural life'sspatiotemporaltraces through telephoto，panoramicand long shot.DirectorLiRuijun's work notonlyusesimages tocounteracttheerosionofruralmemories，butalsoactivatesregionalidentitythroughindividual memories and reinforces ethnic identity through collctive memories，offering avisualarchive for the survivalofrural civilization amid the tides of modernization.

Key words：directorLiRuijun；rural film;rural space；spatial memory

不同于第六代导演的城市影像言说，新生代导演李睿珺自踏入影坛以来就以“农民导演”“乡村导演”“华语电影的拾穗者”闻名影坛。（剩余11622字）