艾伦·金斯堡照片书的跨媒介叙事:范式、过程与意义

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[中图分类号] G237 [文献标识码]A [文章编号] 1009-5853(2025)04-0106-08

The Cross-Media Narrative of Allen Ginsberg's Photobooks:Paradigm,Process, and Significance

Sheng YuOuyangQian

(Department of Foreign Languages,University of Chinese Academy of Sciences,Bejing,100049) (Countryand Area Studies Academy,Beijing Foreign Studies University,Beijing,100089)

[Abstract]This study analyzes the rhetorical strategies employed in Allen Ginsberg’s photobook,focusing on the interplay between text and image.It reveals that Ginsberg embeds poetic imagination within the symbolic gaps between handwritten text and photographs,creating a cross-media narrative paradigm of“snapshot poetics.”This process manifests both in the historical dimension,where isolated images are transformed into temporal archivesand in the bodywriting dimension,which reconstructs the embodied presence and group interactions of the“Beat Generation”artists.Based on this,the study explores the cross-media narrative significance of Ginsberg's photobook in constructing the cultural image of the“Beat Generation” poets.It highlights the breaking of the limitations inherent in single-media narratives and how establishing a framework for perceiving sacred moments facilitates a layered transition in cultural writing.Ultimately,onan individual level,the study activates the reader’sawareness of the artist'sexistential state;onacollctive level,it decodes thecultural identityofanti-traditional artists;and ona macro level,it reconstructs the socio-cultural coordinates of the“Beat Generation"literarymovement.

[Key words] Allen GinsbergPhotobook Cross-media narrative Visual writingThe Beat Generation

美国“垮掉的一代”文学运动核心人物艾伦·金斯堡(AllenGinsberg)(1926—1997)以诗人身份闻名于世。(剩余10664字)

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