地方性遗产的公共性重构

——以武都高山戏为例

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中图分类号：G122 文献标志码：ADOI：10.19490/j.cnki.issn2096-698X.2025.05.074-080

YANG Yi（School ）

Abstract： This article examines the transformation living heritage from locality to publicness through a case study Wudu Mountain Opera， a national intangible cultural heritage Longnan， Gansu Province. Beginning with the opera' s form in rural cultural contexts， the study traces how heritage practitioners have deliberately guided its adaptation to new sociocultural environments during the processes heritagization， while actively mitigating the risks decontextualization. The transmission practices Wudu Mountain Opera reveal how heritage practitioners consciously transcend the boundaries its original cultural setting，reconfigured it with an orientation toward publicness effectively maintained its activity. By embodying a culturally inclusive aesthetic responding flexibly to contemporary trends，Wudu Mountain Opera exemplifies the applied notion “self-awareness culture"in cultural heritage practice.

Keywords： locality;publicness;intangible culture heritage;Wudu Mountain Opera

我国的非物质文化遗产（以下简称“非遗”）大多植根于地方社会，其传承机制与特定社区的地方认同密切相关。（剩余9808字）