水的未来场景：情景规划探索即公众展览的叙事探索

打开文本图片集

图1.坪山阳台－深圳南布净水站上部公共空间设计（南沙原创）

Abstract：Thisreviewexamines theexhibition "Wind Blows，WaterRises"at AedesArchitecture Forum in Berlin，Germany，which employs the urban concept of "ancientsedimentation-modernreclamation" to resonatewith theclassical Chinese technological philosophy that "technology originates from nature." The curatorial strategy developsa narrative approach combining historical metaphor with contemporary prototypes.It investigates the adaptive design of spatial forms and flows through the Chinese culturalmetaphorofhydro-terrestrialcybernetics （the regulation of land and water），establishing a conceptual platform for scenario-based planning pedagogyand exhibition.The exhibition translates theoreticaldiscourse into fiverelational principles debating "technology-nature"dynamics，framed as accessible，adaptive Chinese prototypes：1） the "Sponge Paradox，"reflectingrigid flood-control standards;2） the "Siltationas Urbanization"complex， transforming sedimentwaste into resource;3） the "Convergent Hydro-Palace，"utilizingstormwater flows by following natural tendencies;4） "From Oysterto Citadel"addressing ecological design and coastal interface remodeling;and 5） "Hydro

Urban Revival，"restoring the hydro-geographical features of urbanvillagesas hydrological heritage. Together，thesescenarios formautopianvisionthat culturallyreinterpretshydro-terrestrialcybernetics throughadaptation，ensuring professional rigorwhile enhancing public comprehension，discussion，and ideological dissemination.

Keywords：Scenario Planning;Exhibition Curation; Resilient City;Public Space;Critical Philosophyof Technology;Technologyand Nature

图2.西关十八甫伍家花园（埃米尔·罗斯菲尔德摄，1872年，法国国家图书馆藏）

图3.珠三角沉积成陆变化最大的主要阶段示意

引言

“风生水起”展览在德国柏林Aedes建筑空间展出后，在同济大学建规学院巡回展出，产生了持续的传播效应。（剩余10364字）