伍尔夫女性观再探

——《达洛维夫人》中女性服饰书写与身份认同

中图分类号：I106.4 文献标志码：A 文章编号：1674-2346（2025）02-0048-06

Abstract：ThedressdepictioninthenovelMrs.Dalowayhaslongbeenignoredbytheacademiccircle.Throughthedressdepiction ofwomenofdierentsocialtatus，Woolfexpressdthatthehoiceofdresisareflectioofidentity.TheencounteofteVictoran styleandthenewstyleoftheJazzAgenotonlyreflects thecolisionofidentityconceptsbetweenwomen，butalsoreflectsWoolf scontradictoryviewsonwomen.Combinedwiththehistoricalbackgroudofwomen’sdressrevolutionintheearly2thcentury， thispaperusesidentitytheoryandandrogyniatheorytoshowthattheendingofSall’sreturtothefamilyreflectstheimmaturity andover-idealizationofWoolfsandrogyniaview.ItispointedoutthatWoolfdoeshaveanostalgiafortheVictorianperiodbut someexcellentcharacteristicsofVictorian womenare worthyofattentionand inheritancebynew women.Woofisactuallymore inclined to the modern view of the new woman.

Key words：Mrs.Dalloway；Women’s dress depiction; identity；androgyny

1历史背景：20世纪初的女性服饰风格转变

英国维多利亚时代的女性服饰主要经历了4个时期：浪漫主义时期（1825＼～1850）、新洛可可时期（1850＼～1870）、巴斯尔时期（1870＼～1890）以及S形时期（1890＼～1914）[。（剩余7990字）