我所经历的敦煌石窟文物修复

内容摘要：1956年，李云鹤途经敦煌，从此就留在这里学习修复壁画和塑像，再没有离开。通过不断学习、试验和探索，改进了实用的石窟壁画和塑像修复工具，创制了成熟有效的石窟文物修复工艺、修复方法。李云鹤对待工作的原则是：“对文物工作要有感情，把文物保护工作当作终身事业，并用一生去保护她。”

关键词：石窟；壁画；塑像；修复

中图分类号：K879.21  文献标识码：A  文章编号：1000-4106（2024）04-0037-05

Direct Experience of the Restoration of the Cultural Relics

in the Dunhuang Caves

Dict.， LI Yunhe1 Comp.， KONG Lingmei2 LIU Qijiangcaomao2 LI Xuanyu2

（1. Dunhuang Academy， Dunhuang 736200， Gansu;

2. Editorial Department， Dunhuang Academy， Lanzhou 730030， Gansu）

Abstract：Li Yunhe travelled through Dunhuang in 1956 and decided to stay there to learn how to restore the murals and statues; He have never left since. Through continuous learning， experimentation and exploration， Li Yunhe has improved various tools used for repairing cave murals and statues， and created mature， effective techniques for restoring the cultural relics of the cave temples. The working principle that has always guided him is： “To have real affection for all work related to cultural relics; to treat cultural conservation as a lifelong career; and to devote my whole life to the preservation of cultural heritage.”

Keywords：caves; wall paintings; statues; restoration

（Translated by WANG Pingxian）

一 敦煌石窟文物修复的学习和探索

1956年，我作为一名中学毕业生，响应国家青年到新疆去的号召，经过敦煌，来到莫高窟，参观了几天的洞窟，经过敦煌文物研究所所长常书鸿先生的挽留，从此我就在莫高窟待了下来。（剩余6124字）