绣画追求与针绣技艺协同

——略论明清闺阁顾绣的针法与绣法

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With Gu Embroidery paintings handed down from the late Ming Dynasty to Daoguang Period of the Qing Dynasty， Han Ximeng and other masters of Gu Embroidery in Songjiang Prefecture as the research objects， with Ding Pei's Embroidery Book as the theoretical basis， this article reviews the over all artistic pursuit of Gu Embroidery paintings and the leading role of the comprehensive quality of the embroiders on needlework skills.

明清时期，顾绣闺阁绣画（以下简称顾绣绣画）针绣技艺 的内核，首先是“运灵明于针与指之间”；其次是针法、绣法等 技艺手段的运用协同。（剩余5003字）