社会和文化视野中黄山美术图像嬉变考论

中图分类号：J209 文献标识码：A 文章编号：1001-2435（2025）03-0030-10

Key words：Mount Huangshan;art images;society and culture

Abstract：Since the engraving plates appeared in the Northern Song Dynasty，imagesabout the Mount Huangshan have been imitated and spread by later generations.During the Ming and Qing dynasties，the prosperityof the publishing industry broughtconvenienceto theprinting and disseminationof Mount Huangshan images，with theart im一 ages of Mount Huangshanas the theme were constantly enriched.At the same time，the change of dynasties led a largenumberofliterati fromthe Ming Dynasty tothe QingDynastyto devote themselves tothe mountains inorder to escape social turmoil.Theytook Mount Huangshan as their subjectforcreation，which promoted the development andevolutionofMount Huangshanartimages.Afterthe2Othcentury，thedramaticchangesinthesocialandcultural environment provided conditions for the transformationand transformationof Mount Huangshanartimages.Mount Huangshan artimages entereda periodofcomplexityand diversification，andthe diversityof aesthetic and schematic languagefar exceeded thatof its predecesors.Inthe ever-changingcontextofthe times，Mount Huangshanartimages have gradually transcended theobjectivenatural atributes，and increasinglyshowastrongcultural atributes.They are not onlya presentationof visual experience，but alsoa symbolandrepresentationof the cultural psychology and spiritual characteristics of Chinese people.

在中国美术史上，以一座山为表现题材并由此催生出画派的，可能只有黄山了。（剩余13109字）