当代岩彩画的概念与文化定位

摘 要：中国当代岩彩画的历史源头可追溯到原始社会。二十世纪末以来岩彩画概念和文化定位有了较大转变，本文将关注重点集中于这一时期，结合岩彩画传统，对相关文献进行初步的归纳整理、综合分析与评价，反映当前该领域研究进展，并对其中存在的争论焦点进行整理与评述，指出可能的发展趋势。

关键词：中国岩彩画；当代身份；文化定位

Abstract： The historical origins of contemporary Mineral-Color Paintings in China can be traced back to primitive society. The concept and cultural orientation of Mineral-Color Paintings has changed considerably since the end of the twentieth century. This paper focuses on this period， combining the tradition of Mineral-Color Paintings with a preliminary induction and collation of relevant literature， a comprehensive analysis and evaluation， reflecting the current progress of research in this field， as well as collating and commenting on the focus of the controversy that exists therein， and pointing out the possible trend of development.

Keywords： Mineral-Color Paintings；contemporary identity；cultural orientation

0 引言

当代岩彩画可以追溯至原始社会的矿物色绘画，后者一度是中国山水画的主流样式。（剩余5773字）

网站仅支持在线阅读（不支持PDF下载），如需保存文章，可以选择【打印】保存。