提香绘画中的色彩艺术：以《达那厄》为例

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摘 要：在16 世纪，提香因其绘画所具有自发性和表现力成为威尼斯画派的代表人物，他对油画技艺及色彩表现力的发展也成为了后世研究的焦点。本文力图从16 世纪素描与色彩之争着手，结合威尼斯绘画理论， 探索《达那厄》一作在提香艺术风格形成中所处的位置，进而分析该作品在色彩表现形式上所展现的价值。

关键词：提香；威尼斯画派；《达那厄》

Abstrct：In the 16th century， Titian has become a representative painter of Venice School because of his spontaneityand expressiveness， and his development of oil painting technique and color expressiveness has also become thefocus of later studies. In combination with Venice painting theory， this paper intends to explore the position ofdanaë in the formation of Titian’s artistic style from the dispute between disegno and colorito in the 16th century，and then analyze its value in color expression.

Keywords：Titian;Venetian school;Danaë

1 十六世纪素描色彩之争

瓦萨里（Giorgio Vasari）在《名人传》（1568）中曾记载了一幕米开朗基罗与提香这两位文艺复兴绘画巨匠会面的场景，那是在1546 年，瓦萨里与米开朗基罗一同拜访应红衣主教法尔内塞之邀来到罗马提香，当时正值提香在创作一幅裸女像——《达那厄》（Danaë） 。（剩余5673字）