中西互鉴视阈中潘知常的生命美学再思考

【摘要】中国美学名家潘知常从中国传统美学的核心精神“生”“情”“境”出发，构建了“生命视界”“情感为本”“境界取向”的 “情本境界生命论”“美学体系。他用拿来主义的态度，广泛吸收借鉴中外美学、文学、哲学思想宝库，打通古今，融汇中西，形成独特的生命美学体系，对中国文论的建设和美学的发展带来一定启示。

【关键词】生命美学；生命本体；情本境界生命论；艺术与审美

【中图分类号】B83-069

【文献标识码】A

【文章编号】2095-7009（2025）01-0042-07

Rethinking of Pan Zhichang’s Life Aesthetics from Mutual Learning between China and the West

DU Xuan， MENG Yan

（School of Foreign Languages， Huainan Normal University， Huainan 232038， Anhui， China）

Abstract：From the perspective of the integration of Chinese and Western thought， this paper conducts a profound analysis of the sources of the aesthetic system of the “Life-Emotion-Horizon Theory of Aesthetics，” which was constructed by a renowned Chinese professor of aesthetics based on the core spirits of traditional Chinese aesthetics： “life”， “emotion”， and “horizon”. It elaborates on his adoption of an eclectic attitude， broadly absorbing and drawing upon the treasures of Chinese and Western aesthetics， literature， and philosophy， bridging the ancient and the modern， and integrating the East and the West， to form a unique aesthetic system of life. This system brings certain enlightenments to the construction of Chinese literary theory and the development of aesthetics.

Key words：aesthetics of life; life ontology; Life-Emotion-Horizon Theory of Aesthetics; art and aesthetics

中国美学名家潘知常援引德国文学巨匠歌德的思想“遗产”：“在德国整个哲学中，必须要做的大事还有两件，一件巨大的、惊人的成就是康德撰写的大著《纯粹理性批判》，但是还没把一个圆圈画完，还差的是更具有重大意义的感觉以及人类知解力的批判的著作，若完成完善这项工作，德国哲学也就大差不差。（剩余10882字）