• 国学视野下的现代玻璃用器设计
    Chinese glass utensils were first discovered in the Western Zhou Dynasty and flourished in the Qing Dynasty. They were mainly used for furnishings, daily necessities, stationery and worship supplies. With the popularization of craftsmanship among the people, the demand has also increased.  The presentation of "Shape" and "Qi" in glass utensils is influenced by the spirit of Chinese literati
    吴昊
  • 中国花鸟玉雕的美学特征
    Chinese flower and bird jade carving art represents one of the most popular jade carving forms in the Chinese art history. Its vitality takes root in the character of the Chinese Nation. With the vicissitude of the times, this art radiates more and more youthful vitality. One of the important factors lies in such a fact that Chinese flower and bird jade carvings contain distinctive characteristics
    王金忠
  • 动物玉雕纵横谈
    Since the humans began to appear, they have lived together with the animals on earth, and enjoy mutual influence and interdependence. The animalthemed jade works, which shine in the history of jade carving art, have continued to develop to the present day with eternal charms. These works have written a fascinating and moving chapter in the history of jade culture.自人类出现开始,便和动物共同生存
    范民广
  • 金陵竹刻的创作题材及创新策略探究
    〔2〕陈媛媛,“雅”、“俗”互动中的竹刻艺术[J].上海工艺美术,2020(2):61.〔3〕陆晔,陆原.谈金陵派竹刻艺术[J].美术观察,2009(9):102.
    谷青青 田雁冰
  • 南派戏装道具的创新特征
    (图5)本文为《中国工艺美术全集》(上海卷)“上海戏装与道具”章的阶段研究成果。
    徐勤
  • 从跨界风潮中探求首饰设计发展创新
    目前我国首饰消费市场上普遍存在严重同质化的现象,长期来形成的依赖传统元素形成了产品题材形式单一,首饰设计纵向发展愈难突破。面对消费市场多元化的需求,仅限首饰传统设计单一的设计语言无法满足消费者群体需求。而作为设计师不得不寻找新的发展方向,跨界去其他横向领域寻找新灵感实现创新。我们提出跨界设计思维方式应用到当代首饰设计中,打破原有设计的思维壁垒,打开思路从其他领域中寻找文化理念、表现形式、艺术风格等元
    俞颖
  • 时尚品牌与历史文化街区的融合
    一、美国纺织服装产业与时尚品牌文化十九世纪以来,以纺织服装产业东部沿海纺织教育项目布局为抓手,美国积极推进工业化进程与纺织服装人才培养,为时尚产业发展与二十世纪上半叶的世界时尚中心转移奠定了基础。二战后,逐步形成以“流行文化与大众市场”为特色的美国纽约时尚,与法国巴黎隔大西洋遥望,构成了横跨欧、美的西方时尚中心,互动联系并贡献于各自区域政治、经济、文化发展。时尚是一个国家文化与经济相互赋能、互为表里
    朱倩倩 刘丽娴 卢益婧
  • 高职文创设计人才培养的“三教”改革与实践
    本文立足上海“五个中心”和“四大品牌”建设战略,主动服务和融入上海文创演艺产业和美丽健康产业,以协同发展、相互支撑的高职文创艺术专业群建设为载体,在艺科融合背景下构建了围绕“时尚艺术+传统文化、文创设计+信息技术”为教学主线的——“德艺兼备、创技融通”文创设计人才培养模式。通过“产教融合、以赛促学、以赛促教”,深化新时代职业教育教师、教法、教材“三教”改革的实践探索,取得了一定成效。一、上海文创产业发
    王慧
  • 针尖上的“绘画”——上海绒绣
    Artists of Shanghai Woolen Embroidery have innovated and reformed the color matching and hand dyeing process of woolen embroidery, which improves the artistic expression of woolen embroidery. The embroidery stitching method of woolen embroidery is based on the traditional Chinese handmade embroidery skills, which is combined with the original stitching method.The innovative stitching method can b
    范淑君
  • 公共艺术的社会价值与创作特性
    The quality of public art directly acts on on people’s material life and spiritual pursuit, influences the construction of cities, exerts profound impacts on national development, and implies the important social value.公共艺术在中国发展了三十余年,但依然存在着一些问题。而这些问题的改善和解决将更好的建立公共精神,地域文化和城市形象。公共艺术的公共性是公众共同享有的权利。其中作品理念的有效传达是
    张蕊
  • 中国当代手工艺术创作与批评建构
    换言之,英国的拉斯金对1851年“水晶宫”博览会的批评在很大程度上影响并直接引发莫里斯领导的英国工艺美术运动,诸如沙利文“形式追随功能”的批评标准、卢斯“装饰即罪恶”的批评口号等,是为今日中国手工艺术发展之启示
    李计亮
  • 拜占庭珐琅制品初探
    In the Christian tradition, staurotheke is a box or box used to store sacred objects (such as the remains of saints, clothes and cloth used or touched by saints, fragments of holy thorns and thorny crowns, etc.), which is considered to have supernatural healing power. The Fieschi Morgan Staurotheke now stored in the Metropolitan Museum is a typical Byzantine enamel work. As a handicraft in t
    张帅弋辰
  • 日本现代建筑中的禅意美学
    This article begins with the expression of Zen aesthetics in Japanese traditional architecture “Sukiya”, andrefers to the architectural works by modern architect Tadao Ando. This articleprobes into the inheritance and evolution of Japanese modern architecture for Zen aesthetic ideology.一、日本传统建筑中的禅意美学禅宗思想影响了日本的传统文化,无论是绘画、音乐、诗歌等艺术创作,还是设计领域都承载了
    周一文
  • 中国传统绘画在清代玉石雕刻设计中的应用
    Chinese traditional painting and jadestone carving art are epitomes of excellent traditional culture in China. Both of them come down in one continuous line together with the Chinese civilization and boast a long history. They have been passed down for thousands of years and remain to this day.中国传统绘画和玉石雕刻艺术在世界文化史中是两颗璀璨的明珠。中国传统绘画和玉石雕刻艺术都以各自特殊表现形式,
    王发开
  • 当代陶瓷祥瑞动物雕塑创作方向探究
    On four dimensions of “artistic expressiveness”, “spiritual attitude”,“crossover integration” and “life aesthetics”, this article focuses on the creation direction for contemporary ceramic sculptures of auspicious animals.早在新石器时代,我国原始陶器中就有大量的动物造型出现,由于原始宗教与图腾崇拜的观念,祥瑞雕塑更是伴随着人类从蛮荒走向文明。历经千年发展,承载吉祥寓意的祥瑞动物造型在当代
    李建(李子木)
  • 蓝印花布印染技艺的当代传承
    实际上,我国蓝印花布印染技艺的传承与保护工作起始于20世纪50年代,工艺美术史论家对传承近千年的民间蓝印花布进行全方位调查研究,对蓝印花布进行收集、整理并出版了蓝印花布的相关书籍和图册,抢救、保护了流传在民间的蓝印花布印染技艺
    孔令平
  • 基于环境心理视角下的城市新区街道研究
    In our urban construction, especially in new urban construction, due to the short modernization time, often appear in urban street culture fault, atmosphere loss and so on. Therefore, the psychological field theory and Gestalt psychology represented by Lewin as the evaluation system, through the analysis of the street scale in the construction of Guilin Lingui New District, resources are too
    赵恩泽
  • 皓月观海高士临风
    此作是白士风晚年扛鼎之作, 荣获江苏省工艺美术百花奖和紫金杯大奖。1986年新加坡藏家以3万余元从常州工艺美术研究所收购 此作,不到一年,又以60万元台币巨资转售中国台湾藏家。
    梁文杰
  • 乾隆年间“锦群地三多花卉锦”纹样研究
    2.富丽典雅的色彩格调织锦作为一种传统的工艺美术形式,其色彩中蕴含着深厚的哲学思想和丰富的象征意义。
    赵家华
  • 土山湾工艺院在景泰蓝近代史上的贡献
    景泰蓝(学名铜胎掐丝珐琅),元代蒙古军西征时从陆上丝绸之路传入中国,汉化生根,清中期经海上丝绸之路复异域流芳。2006年该制作技艺列入第一批国家级非物质文化遗产名录。但清中期后其从最早的宫廷专造走向民间作坊广泛制作,并为世界所熟知的这段近代名作坊堂号的具体历史背景却不甚明了,业内也无相关研究和可靠论著。笔者潜心埋首,历时五年,通过对国内外景泰蓝存世物证、历史文献、专家访谈三方面互相印证和精心考证研究,基
    周春兵
加载中...
monitor