• 邂逅名画中的珠宝
    Painting and jewelry are two forms of artistic expression with extraordinary visual and aesthetic expressive power. Even though they were born in different times and cultures, they are ultimate embodiments of people’s creativity and aesthetic pursuit.绘画与珠宝,这是两种极具艺术性的表达形式,它们在视觉和审美方面都有着非凡的表现力,即便是在不同的时代和文化中诞生,但它们都是人类在创造力和美学追求的
    程晓芸
  • 我国非物质文化遗产博物馆的展陈导向
    Compared with the traditional museums, the Intangible Cultural Heritage Museum’s business functions such as exhibition, display, publicity and education are changing, making it an important proposition to explore the exhibition direction of the Intangible Cultural Heritage Museum. Therefore, in the new era, intangible cultural heritage museums need to take advantage of their exhibition advan
    孔令平
  • 点化青田山川 融入海派文化
    上海工艺美术在全国是首屈一指的,作为融入海派文化的青田石雕要向玉雕、石雕、竹雕、木雕等其他同行认真学习,创作出具有上海特色的“人无我有、人有我精、人精我绝、人绝我新”的海派青田石雕作品来
    吴松林
  • “国潮”趋势下现代首饰设计的传承与赋新
    老凤祥古法藏宝金《平安虎》系列(图5)由中国工艺美术大师、国家级非遗传人张心一设计,以虎符文化为基础,提炼经典元素,虎符元素具有平安、权力的寓意,通过对古代虎图腾的艺术诠释,造就了平安符的不凡气势,卷云纹寓意吉祥安康
    周颖
  • 海派玉雕花鸟的“写生”意识
    In order to reveal the technological characteristics and cultural connotation in “lifelike style” awareness of Shanghai-style jade carvings of flowers and birds, this article analyzes the characteristics of“lifelike” awarenessand the craft manifestations in jade carvings of flowers and birds.Through the research on representative works of Shanghai-style jade carvings of flowers and birds, thi
    吴旷
  • 贵州黔东南苗族刺绣视觉设计探索
    Miao embroidery is a traditional Miao folk art. This ancient art form has high artistic value and profound cultural connotation, and is known as the“wordless history poem of the Miao ethnic group.”Starting from the embroidery craftsmanship of the Miao nationality in Southeast Guizhou Province, the author studies the artistic characteristics of Miao nationality embroidery from the perspective of
    温柔佳
  • 集传统工艺与当代科技审美于一体
    无锡灵山梵宫《华藏世界》是佛教艺术与工艺美术创新的经典之作,8米×10米的琉璃壁画幕墙由40余块色彩、浮雕各不相同的琉璃构成,每块琉璃重达200公斤,从手工泥塑塑形、制作硅胶模、蜡模、耐火石膏模、到最后窑烧铸造
    施森彬
  • 蔓延与分离
    本文试从非专业领域文本解读当代艺术作品,探索从植物生物学视角出发的创作思路。通过对巴西艺术家玛丽亚·内波穆切诺(Maria Nepomuceno)和日本陶瓷艺术家西川优子(Yuko Nishikawa)作品的发散性解读,找到当代艺术作品与跨领域文本的联结之处,探索当代艺术家跨领域文本的创作路径,理解和构建作者、文本、作品之间的关联。一、当代艺术创作视角的转变在经过20世纪70年代,后现代主义对艺术界的洗礼与释放后,艺术创作打破了固有
    张怡然
  • 中国传统年画的当代应用探索
    一、中国传统年画工艺年画,以“年”得名,以“画”为生,表达了人们对新一年的期盼。它不像其他画那样,受到制作方法的界定,在材料和制作方面,可以用任何一种材质进行作画,表现方法也是形色各异。其中,最为著名的是桃花坞年画、杨家埠年画、杨柳青年画、朱仙镇年画等。“天津杨柳青木版年画”为北方年画的代表,整体线条工整,色彩鲜艳,同时善用汉语中的谐音寄托人们心中的美好念想;“苏州桃花坞木板年画”为江南地区的年画代
    夏寸草 高婉茹
  • 人工智能驱动的工业设计教育协同发展模式研究
    工业设计发展离不开技术革新,在人工智能驱动下的服务主导逻辑(SDL)促进设计教育为适应多元化用户需求、网络化运作模式而更新,探索与时俱进的教学方法和教学方向,培养适应时代需求的新型人才。通过“智创(智能创意发想)”“智联(智能功能联结)”“智造(智能产品制作)”三维度概述人工智能艺术设计的新现象,并从设计教育的教学目标、教学模式、教学学情、教学过程、教学内容和教学评价方式方面提出设计教育创新模式。《中
    章文
  • 沉睡千年美人鱼
    More than 60 000 cultural relics are recovered from the shipwreck of “Batu Hitam”, including ceramics, porcelains, gold and silverwares, glasswares, bronze wares, lacquerwares, timber, ivory, coral,other gems and jewels, lead blocks and other types of ores. Although the porcelains has been asleep at the bottom of vast seaover a millennium, they still maintainthe intact status.唐代是中
    钟翟
  • 民间信仰对闽南侨乡聚落街巷空间变迁影响
    This article takes the overseas Chinese settlements in southern Fujian as the research object, with focus on folk beliefs, ritual activities, clan system and related ritual space in the settlements.From the perspective of “Folk Custom—Space”, this article explains evolution characteristics of overseas Chinese settlements in southern Fujian Province, analyzesthe impacts of folk beliefs and a
    刘瑾 魏秦
  • 由礼及器:宋代花器的仿古现象
    宋代仿古花器深受宋理学“器道统一”思想的影响,不仅是盛花的器皿更蕴含了传统文化精髓。本文立足于宋代文人插花范畴,以宋仿古花器为研究对象,对其历史文脉进行系统梳理,归纳和分析其设计的规律性,造型,对比国内外博物馆的同类文物,结合文献与器物,解析宋代仿古花器与宋文人生活的关联;对代表性的仿古花器的造型来源、演化与设计规律进行分析,并对宋人造物的思维建构逻辑进行初步的探讨,为当代器物的设计开发提供可参考的
    倪献鸥
  • 彝族文化元素与当代首饰设计
    在全球化快速发展的背景下,传统文化与现代设计的结合正成为一个趋势。这种融合不仅为文化传承提供了新的视角,还丰富了设计语言。作为表达和文化象征的载体,首饰已成为跨文化创新实践的重要媒介。以彝族为例,将彝族文化元素有效融入现代首饰设计,不仅为设计带来灵感源泉,也加深了对文化多样性的理解与尊重,从而推动民族文化遗产的保护和现代设计的创新发展。一、彝族文化概述(1)语言和文字彝族语言属于汉藏语系藏缅语族彝语
    林紫淳
  • 砣飞轮雕
    Jade carving is a special technique with strong handicraft savor, which is the product of art, science and technology in one. Commonly used equipment, tools and accessories are the material means for jade carvers to carry out artistic creation.Its development marks the degree of integration between jade carving art and contemporary science and technology.有句俗语说道:师傅领进门,修行在个人。从工
    祝天翔
  • 月文化元素与现代日用陶瓷设计
    On the basis of reconstruction and analysis of traditional moon culture elements, connotation and extension are grasped. Efforts are made to take full advantage of the characteristics of Dehua White Porcelain, demonstrate the artistic conception of traditional moon culture, and achieve conversion and application of traditional moon culture elements in design of modern ceramics for daily use.改革
    孙梓钊
  • 唯有玉龙
    我们的先民十分尊崇、敬畏神龙,认为自己是龙的传人,为了得到龙的护佑,与龙形影不离,还创造了纷繁造型、各种质地的龙的文物。很偶然,笔者在研究过程中,发现各种材质的文物中,只有玉龙是我国唯一自新石器时代一直陪伴了我们七千多年的吉祥物(图1)。更有价值的是,玉龙在解开中国龙文化的起源、形成及与其他文物的互鉴方面意义重大。一、机缘巧合 喜获真传中国玉龙精彩纷呈绵延久远,是考古发现和传世文物研究中的重要课题。隔
    张明华
  • 传统年画中五子图像的地域造型艺术探究
    Image of Five Children are mostly found in the New Yearpaintings, which is an eye-catching expression in thiskind of image, forming its own style and showing thevaried patterns of praying for the children and happy life.Such image has been widely spread and applied in manyregions and social classes. By comparing the image of fivechildren in different regions, this article tries to give shapeto c
    朱喆 贾高飞
  • 探寻海派建筑之美
    Buildings mirrors the evolution of a city and changingneeds of the people. These needs change over time. Themaintenance, renovation and reuse of historic buildingsare inevitable processes, with the evolution of the threegenerations of Lyceum Theatre as a good example. Withretrospect to the development of the three generations ofLyceum Theatre, people can understand the ways thisbuilding is conti
    高韵之
  • 玻璃灯工烧制工艺工具的研究与应用
    2.灯工玻璃烧制工具的分类手工艺工具是每一个工艺美术行业从业者不可或缺的重要伙伴。
    任波 石翰林 陈露丹
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