• 工艺美术的发展与创新
    因此,相关人员在工艺美术创新发展中,应引导更多公众参与其中,为他们带来更好的互动体验,从而更加全面地了解工艺美术,激发他们对工艺美术的兴趣,从而主动参与到工艺美术创新发展的活动中。
    李甜甜
  • 南通近代工艺美术推动文化产业“走出去”
    ,即南通近代工艺美术产业的创新性不足、南通近代工艺美术艺术性与生活性融合不够深入、南通近代工艺美术产业经营模式过于落后,以及南通近代工艺美术产业生产技术和质量偏低等。
    刘春辉
  • “工艺美术”的历史道路及其当代问题
    事实上,学理上的“工艺美术”、主流意识形态中的“工艺美术”以及传统手工艺行业中被称作“工艺美术”的部分,细究起来有很大的不同。
    曹小鸥
  • 筑就工艺美术学术高地
    、数字等大工艺美术,以开放的姿态,面向艺术全行业,面向广大的工艺美术爱好者。
    龚玫
  • 工艺美术的原生性与再生性探析
    无论是职能部门还是相关从业者,都应认识到工艺美术的价值,积极适应市场需求,在保护工艺美术的原生性不受到破坏的同时,对其再生性进行不断的完善,逐步扩大工艺美术的影响范围,使工艺美术得到有效的传承。
    赵俊生
  • 工艺美术的文化价值与传承途径探析
    在工艺美术传承中,应该高度重视其特色,这些特色是其他艺术不具备的,只有确保工艺美术的本质特色,才能真正体现出工艺美术的魅力。
    王建和
  • 工艺美术赋能乡村振兴发展策略研究
    (三)发展工艺美术,助力美丽乡村建设不同的工艺美术产品具有不同的艺术性和美学呈现,发展工艺美术有助于美丽建设。
    肖飞
  • 论传统民间工艺美术文化的传承与创新设计
    传统民间工艺美术文化传承者应以现代审美为基础,适当对民间工艺美术文化进行改革与创新,使其更好地符合大众审美。
    叶涓涓
  • 国学视野下的现代玻璃用器设计
    Chinese glass utensils were first discovered in the Western Zhou Dynasty and flourished in the Qing Dynasty. They were mainly used for furnishings, daily necessities, stationery and worship supplies. With the popularization of craftsmanship among the people, the demand has also increased.  The presentation of "Shape" and "Qi" in glass utensils is influenced by the spirit of Chinese literati
    吴昊
  • 中国花鸟玉雕的美学特征
    Chinese flower and bird jade carving art represents one of the most popular jade carving forms in the Chinese art history. Its vitality takes root in the character of the Chinese Nation. With the vicissitude of the times, this art radiates more and more youthful vitality. One of the important factors lies in such a fact that Chinese flower and bird jade carvings contain distinctive characteristics
    王金忠
  • 动物玉雕纵横谈
    Since the humans began to appear, they have lived together with the animals on earth, and enjoy mutual influence and interdependence. The animalthemed jade works, which shine in the history of jade carving art, have continued to develop to the present day with eternal charms. These works have written a fascinating and moving chapter in the history of jade culture.自人类出现开始,便和动物共同生存
    范民广
  • 金陵竹刻的创作题材及创新策略探究
    〔2〕陈媛媛,“雅”、“俗”互动中的竹刻艺术[J].上海工艺美术,2020(2):61.〔3〕陆晔,陆原.谈金陵派竹刻艺术[J].美术观察,2009(9):102.
    谷青青 田雁冰
  • 南派戏装道具的创新特征
    (图5)本文为《中国工艺美术全集》(上海卷)“上海戏装与道具”章的阶段研究成果。
    徐勤
  • 从跨界风潮中探求首饰设计发展创新
    目前我国首饰消费市场上普遍存在严重同质化的现象,长期来形成的依赖传统元素形成了产品题材形式单一,首饰设计纵向发展愈难突破。面对消费市场多元化的需求,仅限首饰传统设计单一的设计语言无法满足消费者群体需求。而作为设计师不得不寻找新的发展方向,跨界去其他横向领域寻找新灵感实现创新。我们提出跨界设计思维方式应用到当代首饰设计中,打破原有设计的思维壁垒,打开思路从其他领域中寻找文化理念、表现形式、艺术风格等元
    俞颖
  • 皓月观海高士临风
    此作是白士风晚年扛鼎之作, 荣获江苏省工艺美术百花奖和紫金杯大奖。1986年新加坡藏家以3万余元从常州工艺美术研究所收购 此作,不到一年,又以60万元台币巨资转售中国台湾藏家。
    梁文杰
  • “二次元”文化与珠宝设计
    In ACGN culture circle, the word “Anime and Manga”is widely used as an appellation for “fictitious world”or the dream world, with the meaning of “fiction” and“fantasy”. The visual experience of the viewer is abusedwith a full range of visions. In some foreign countries, arelatively complete industrial chain has been formed andinvolved with video playback, performing arts economy, fanec
    黄颖如
  • 动态机械装置中的节奏美学
    一、动态机械艺术装置的溯源与概述1.艺术与机器早在工艺美术运动之前,工业化对英国劳动人口的影响就已经敲响了警钟。
    董晶艺
  • 针尖上的“绘画”——上海绒绣
    Artists of Shanghai Woolen Embroidery have innovated and reformed the color matching and hand dyeing process of woolen embroidery, which improves the artistic expression of woolen embroidery. The embroidery stitching method of woolen embroidery is based on the traditional Chinese handmade embroidery skills, which is combined with the original stitching method.The innovative stitching method can b
    范淑君
  • 公共艺术的社会价值与创作特性
    The quality of public art directly acts on on people’s material life and spiritual pursuit, influences the construction of cities, exerts profound impacts on national development, and implies the important social value.公共艺术在中国发展了三十余年,但依然存在着一些问题。而这些问题的改善和解决将更好的建立公共精神,地域文化和城市形象。公共艺术的公共性是公众共同享有的权利。其中作品理念的有效传达是
    张蕊
  • 中国传统绘画在清代玉石雕刻设计中的应用
    Chinese traditional painting and jadestone carving art are epitomes of excellent traditional culture in China. Both of them come down in one continuous line together with the Chinese civilization and boast a long history. They have been passed down for thousands of years and remain to this day.中国传统绘画和玉石雕刻艺术在世界文化史中是两颗璀璨的明珠。中国传统绘画和玉石雕刻艺术都以各自特殊表现形式,
    王发开
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