东方色彩美学与西方色彩美学之异同

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摘 要：探究东方色彩美学与西方色彩美学之相同与差异，从东西方色彩独特的民族性审美观念和鲜明的象征性运用，阐释东西方色彩的共通之处。从色彩在东方的中国是视觉意象性在于色彩的“以象达意”“情景交融”和拟人化“生命”的三个层面，折射与阐释东西方色彩在民族思想、情感、审美倾向等方面存在的本质区别。

关键词：审美观；象征性；以象达意；情景交融；拟人化“生命”

Abstract： Explore the similarities and differences between Eastern and Western color aesthetics， and explain the commonalities between Eastern and Western colors in terms of their unique national aesthetic concepts and distinctive symbolic use. From the visual imagery of color in Eastern China lies in the three dimensions of color， namely， "using images to convey meaning"，"blending of scenes" and anthropomorphism of "life"， which refracts and explains the commonalities between Eastern and Western colors in terms of national thoughts， emotions and aesthetic tendencies. The essential difference between the East and the West in terms of national thought， emotion and aesthetic tendency.

Keywords： Aesthetic concept；symbolism；imagery to convey meaning；mixing of scene and mood；anthropomorphizing "life"

基金项目：本论文系2023年度国家社会科学基金艺术学重点项目《亚运美学的国家形象设计研究》阶段性成果（批准号：23AG015）。（剩余5133字）