晦涩、真美与商业骗局：毕加索在民国“黄金十年”的接受状况研究

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摘要：西方现代艺术的译介工作在民国“黄金十年”取得较大进展。本文从“黄金十年”的报刊文献入手，从译介者、阐释者和反对者三方面分析了毕加索在民国知识分子间的接受状况，进而还原西方现代艺术在民国接受状况的具体侧面，揭示译介过程的再塑造在西学接受中的重要性。

关键词：黄金十年，毕加索，立体主义，西学东渐

Abstract： The translation and introduction of Western modern art made significant progress during the “Golden Decade” of the Republic of China. This article starts from the newspaper literature of the “Golden Decade” and analyzes Picasso’s acceptance among intellectuals in the Republic of China from three aspects： translators， elucidators， and opponents. It then restores the specific aspects of the acceptance of Western modern art among intellectuals in the Republic of China， revealing the importance of the reshaping of the translation process in the reception of Western studies.

Keywords： Golden Decade， Picasso， Cubism， Western learning spreading eastward

1927年，南京国民政府成立。（剩余13117字）