• 追溯本源承启创新
    两年一度,又是窑火缤纷、陶彩迷人的季节,来自世界各国的陶艺家带着他们弥漫余温的心爱之器又一次来到上海。2021年11月27日,主题为“柴烧·溯源·承启”的“第四届上海国际陶瓷柴烧艺术节暨国际陶瓷柴烧作品展”在上海清控人居美术馆正式拉开帷幕。本次展览作为第四届上海国际陶瓷柴烧艺术节的重要组成部分,是由中国工艺美
    丁佳青
  • 英国手艺人的视野
    在英国,涉及传统技艺类的文化遗产,一般称为“手工艺”(Craft)。本文旨在以“手工艺意味着什么”这一命题,串联当前活跃于英国手工艺行业艺术家们的新思想、新形式,来引起手工艺爱好者们对这一命题的重新思考。位于英国伦敦的手工艺协会是一个集工艺制作、观赏、收藏和教学为一体的国际慈善组织,致力于成为展示英国当代
    赵晶晶
  • 由时代性视角探析乡村传统民居的困境与对策
    为了针对乡村传统民居在时代变迁中的困境探寻相应对策,文章由时代性视角出发,深入上海市奉贤区乡村对传统民居进行了大量调研,采用访谈、航拍、测绘等方式深入了解与记录了三个历史文化风貌保护区等多处传统民居,发现乡村传统民居存在盲目改造风貌不再、结构老化沦为危房、功能陈旧难用弃置等问题,并结合优秀具体案例,对
    冯鑫 陈友法 袁君瑶
  • 饾版、拱花工艺的演变和发展
    This articlereviews the development process and application ofDouban Printing Craft andGonghua Printing Craft. With reference to the new development status under the integration of bothDoubanand Gonghua in the creation of modern and contemporary woodblock printing, this article probes into an import
    石海珍
  • 钧瓷《嵩山印象》创作浅析
    Due to the profound influence of Taoism, Jun Porcelain upholds a creation idea of following course of the Nature and seeking after harmony between man and nature.一、钧瓷的历史渊源钧窑,即钧台窑,位于河南省禹州市,是我国北方著名的瓷窑,创始于唐代,于北宋时期达到鼎盛,一直延续至今。因禹州境内有夏禹之
    刘红生 刘润桦
  • 漫谈“相对简化”视角下的中国陶瓷雕塑艺术变迁
    This article is aimed to explore the relevance among relative simplification theory, Chinese ceramic sculpture art and Taoist philosophy by reviewing the history of Chinese ceramic sculpture. It is expected to offer some ideas for creation of Chinese contemporary and future ceramic sculpture artwork
    赵强 张海若
  • 有兔爰爰
    Rabbit is such a kind of mammal that is widely distributed all over the world. It evolved from insectivores and falls into domestic rabbit and hare. Hares appeared about 60 million years ago. Prior to the Ming Dynasty, hares were still the dominant species in China. And hare's agile, tame and lovel
    陈晴
  • 2022“玉龙奖”演绎中国宝玉石发展潮流新概念
    Hosted by Shanghai Gem and Jade Trade Association from December 2 to December 5, 2022, the 14th Shanghai “Yulong Awards” Jewelry and Jade Exhibition was held in Duoyunxuan Art Museum, Shanghai. In the combined form of “Ingenuity, Jewelry and National Vogue”, this event demonstrates the new c
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  • 手绘在工艺美术领域的重要性
    In the field of artistic creation, hand-painting still plays an irreplaceable role, as nothing can take place of hand-painted sketch. Arts and crafts represent the art of creation.From prehistoric painted pottery, ritual ware, jewelry, statues to the contemporary sophisticated artworks and daily
    朱文晶
  • 设计中可持续观念的导入
    Sustainable design is the only way to develop in the future.On the basis of well-planned thorough design for human development and the environment, some problems can be resolved in true sense.由于社会的进步和发展,环境问题日益显现。设计的本质是解决问题。然而在时代的发展中,在利益的驱使下,设计与其本
    杨钟玮 周佳娟
  • 让数字化激活传统海派漆器文化
    With the continuous development of digital technology, the digitalization of intangible cultural heritages is of great significance for inheritance and protection of intangible cultural heritages. By means of traditional crafts, Painting of Prosperous Qinglong Town in the Song Dynasty revives the p
    王师军
  • 原始石器中的工艺性
    Primitive stone tools were the main production tools used by the primitive ancestors. In a sense, primitive stone tools were the uppermost place of primitive ancestors’aesthetic awakening. The primitive stone tools in the second stage, namely the primitive technological stone tools, realized the
    许笑波
  • 小议近代西风东渐中的裁纸刀
    With the popularity of deckle-edged book in the 1920s and 1930s, paper knife was widely used in China at that time. Its unique aesthetic form also promoted the spread of new cultures and new ideas in China together with its content, which was of great significance to the cultural development of mod
    张璐
  • 线上竞赛项目制教学实践的高校首饰设计课程设置新方法
    Blue Calico Printing and Dyeing Skill is a kind of traditional handicraft intangible cultural heritage item which has far-reaching influence in our country's ancient folk printing and dyeing Skills. Although Blue Calico Printing and Dyeing Skill has gone into extinction in history, it is being integ
    邵翃恩
  • 徽派民居中堂屋空间的特征研究
    The Hui residence originated in ancient Huizhou and is a typical presentative of Jiangnan folk house. In the overall layout, the Hui houses are based on the mountain, well-conceived and naturally decent; Flexible in scale and endless variation in floor plan; In terms of space structure and utilizat
    申屠沂
  • 芜湖铁画工艺现代化创新研究
    As one of the intangible cultural heritages, Wuhu Iron Painting is a unique traditional handicraft in Wuhu City, Anhui Province. In the new pathwayto epoch aesthetics and media communica tion, Wuhu Iron Pain ting is confronted with such acute problems as poor innovation, skill inheritance, weak
    周祯瑞
  • 当代语境下民俗玩具的再设计策略
    序言在当今工业飞速发展的浪潮中,以手工艺为核心的传统民俗玩具在制作成本及精度上难以与现代标准化生产的玩具相抗衡。随着社会的不断进步和生活方式的深刻变革,根植于农耕文化的民俗活动及其相关玩具亦经历了翻天覆地的转变。这一转变不仅使得传统民俗玩具逐渐失去了原有的受众群体,更使其面临着传承与发展的严峻挑战。淮
    夏寸草 袁紫薇
  • 探析西汉官营丝绸凸版印花工艺技术
    传统印染工艺技术是农耕时代自然经济下的产物,凝聚了中国古代对于自然以及人与自然关系的独到认识。汉代印染作为中国传统印染的一部分,在传统印染领域彰显了重要作用。其中,凸版印花工艺在当时占有一定的主导地位。本文从印于陶器源头的新石器时期,到印于织物萌芽的春秋战国时期,再到官营丝绸机制的西汉时期,阐释凸版印
    周柯 潘睿琪 詹秦川
  • 传统工艺美术在校园文创中的应用
    随着文化创意产业的快速发展,校园文创也日益受到关注,为更好地传承和弘扬传统文化,传统工艺美术中的传统工艺、纹样、色彩等被广泛运用于校园文创设计中。传统工艺美术作为校园文创的设计源泉,为校园文创产品的设计创作提供了丰富的启示和帮助。传统工艺美术注入校园文创是传统文化、校园文化与现代设计的结合,从校园文创
    刘扬 王玮
  • 加强设计与新质生产力融合
    New quality productive forces refer to an aggregationof new manufacturing represented by strategic emergingindustries and future industries, new services represented by high-value -added producer service industries ,and new business patterns represented by economicglobalization and digitalization.2
    于炜 章暘
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